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Blues/Soul/R&B Music

Southern Avenue

Southern Avenue is a dynamic, Grammy-nominated blues and soul band from Memphis, Tennessee, celebrated for carrying the Southern soul legacy into the 21st century. The band’s formation is a story of serendipity, bringing together diverse backgrounds to create a sound that is both deeply traditional and refreshingly modern. The band is most notably composed of Israeli-born guitarist Ori Naftaly and the Memphis-native Jackson sisters: powerhouse lead vocalist Tierinii, drummer and vocalist Tikyra “T.K.,” and percussionist, violinist, and vocalist Ava.

The group formed in 2015 and quickly made a name for themselves, reaching the finals of the prestigious International Blues Challenge in 2016. This rapid success led to a historic signing with the newly reactivated Stax Records—the first time in 40 years a Memphis band had been signed to the legendary soul label. Taking their name from a Memphis street running to the original home of Stax Records, Southern Avenue proved to be a fitting choice to represent the city’s rich musical heritage.

Their self-titled debut album in 2017 received critical acclaim and earned them the “Best Emerging Artist Album” award from the Blues Foundation. The album’s success fueled a rigorous touring schedule across the US, Europe, and Australia, allowing them to cultivate a devoted fanbase and hone their electrifying live performance. Their follow-up album, Keep On, released in 2019, featured more pronounced funk influences and earned them a Grammy nomination for “Best Contemporary Blues Album”.
The band’s musical style is a seamless and spirited blend of genres. The foundation is rooted in gospel music, a heritage brought by the Jackson sisters, whose natural harmonies and soulful delivery give the band its core spiritual sound. Tierinii’s vocals, often compared to the confident and gutsy style of Chaka Khan, are a magnetic force that energizes audiences. This soulful intensity is paired with Naftaly’s intricate, raw guitar work, which he brought to Memphis after immigrating from Israel in search of authentic blues. The result is a gritty, infectious, and contemporary take on American roots music.
Beyond their captivating sound, Southern Avenue is known for their uplifting and message-driven songs. Their music aims to transmute negative feelings into a sense of freedom and jubilation, creating a powerful and positive connection with their listeners. This ethos extends to their live shows, which are praised as dynamic and inclusive experiences that celebrate the communal power of music. The band’s latest album, Family, released in 2025 on Alligator Records, was recorded at Memphis’s historic Royal Studios and continues their tradition of crafting universal, heartfelt songs that bring people together.
Southern Avenue’s journey from a serendipitous meeting to a Grammy-nominated act is a testament to their talent and hard work. They have successfully blended traditional Memphis sounds with a fresh, modern perspective, establishing themselves as a vital voice in blues and soul music today.
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Rickie Lee Jones

Rickie Lee Jones occupies a unique space in the American musical landscape, serving as a bridge between the gritty bohemianism of the late 1970s and the sophisticated, genre-bending artistry of the modern era. Often hailed as the “Duchess of Coolsville,” Jones burst into the public consciousness in 1979 with a sound that felt entirely new. Her eponymous debut album arrived with a mixture of street-smart poetry and jazz-inflected phrasing. The massive success of the single “Chuck E.’s in Love” turned her into an overnight sensation, making her the face of a new kind of singer-songwriter—one comfortable with both beatnik aesthetics and pop sensibilities.
Her nomadic childhood laid the foundation for this restless spirit. Born in Chicago and raised across several states, Jones developed a worldview as a permanent outsider. This sense of displacement became a central theme in her songwriting, fueling the cinematic narratives of her albums. By the time she reached Los Angeles in the mid-1970s, she was a fixture of the Troubadour scene. While her relationship with Tom Waits during this period became legendary, it was her own musical identity—characterized by complex arrangements and a refusal to stick to a single tempo—that defined her legacy
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Following her debut, Jones defied the “sophomore slump” with Pirates (1981). To many, this remains her masterpiece. It was an ambitious, darker record featuring sprawling tracks like “The Last Chance Texaco.” Pirates showcased her ability to weave intricate stories of the American road into a tapestry of jazz, rock, and R&B. During this time, her reputation for being uncompromising was solidified; she followed her muse rather than industry trends
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As the years progressed, Jones continued to surprise audiences with stylistic shifts. She delved into the Great American Songbook with albums like Girl at Her Volcano and Pop Pop, proving herself one of the finest interpretive singers of her generation. Her ability to deconstruct a standard allowed her to stand alongside jazz greats. Yet, she never stayed in one place; in 1997, she released Ghostyhead, an experimental trip-hop album that proved her songwriting could thrive even in electronic contexts.
The turn of the millennium saw Jones leaning into her role as a chronicler of the human condition. Albums like Balm in Gilead showcased an artist grappling with spirituality and aging. Her voice gained a weathered, soulful quality that added weight to her lyrics. In 2021, she released her memoir, Last Chance Texaco, providing a raw look at her life from her traumatic youth to her enduring commitment to her craft
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Recently, Jones found a new home in New Orleans, which influenced her 2023 album Pieces of Treasure. This return to jazz roots earned her an eighth Grammy nomination and feels like a full-circle moment for an artist who has retained her edge. Rickie Lee Jones remains a singular figure, a troubadour finding beauty in the margins and poetry in the everyday.
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Music Roots/Americana

Sierra Hull

Sierra Hull is a virtuoso mandolinist and singer-songwriter who has redefined the boundaries of modern bluegrass. Originally from Byrdstown, Tennessee, Hull was a child prodigy who made her Grand Ole Opry debut at age 11 alongside her mentor, Alison Krauss. She later became the first bluegrass musician to receive the Presidential Scholarship to Berklee College of Music.

Hull’s career is marked by historic achievements, including being the first woman to win the International Bluegrass Music Association’s Mandolin Player of the Year—an honor she has now won seven times. Her discography, featuring Grammy-nominated albums like Weighted Mind and 25 Trips, showcases her evolution from a traditional picker to an inventive artist blending folk, jazz, and pop.

In 2025, she released her first independent album, A Tip Toe High Wire, which earned four nominations at the 2026 Grammy Awards, including Best Bluegrass Album. Beyond performing, she mentors the next generation as an instructor at ArtistWorks, cementing her status as a leading creative force in contemporary acoustic music.

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Site Visitor User Guide

Roaming the Arts: Visitor User Guide

Welcome to Roaming the Arts, an arts discovery site built for readers, listeners, collectors, browsers, and fans who enjoy finding writers, musicians, bands, and visual artists worth exploring. The site is designed as an arts browser: a place to roam through books, music, art, videos, artist websites, author pages, and creative recommendations at your own pace.

1. Start on the Homepage

The homepage is the best place to begin if you want to see what is new, featured, or recently updated. Scroll through current posts, browse featured artists and authors, and use the visible category buttons or top menu options to move into the areas that interest you most.

2. Choose a Category

Roaming the Arts is organized around creative discovery. Visitors can explore music, books, authors, book club ideas, books by location, word-and-film connections, visual artists, recent reads, all-time favorites, and other arts-focused features. If you arrive with a specific interest, use the category menu. If you arrive open to discovery, simply browse and follow what catches your attention.

3. Use Artist, Author, and Music Posts as Gateways

Most posts are designed to help you go deeper. A music post may include an embedded video, background on the artist, and a path to hear more. A book or author post may point you toward a new series, a recent release, or a writer you may not have discovered yet. A visual art post may help you visit an artist’s online presence and see more of the work directly.

4. Follow Links and Explore Beyond the Site

Roaming the Arts is meant to send visitors outward as well as inward. When you find someone interesting, visit their website, look for tour dates, search for a new recording, check for upcoming books, or explore related work. The goal is not just to read about creative people, but to become a fan, listener, reader, collector, or supporter.

5. Browse by Mood or Mission

  • If you want something to hear, begin with Music or Indie Music Artists.
  • If you want something to read, try Books/Authors, Book Club, Recent Reads, or Books by Location.
  • If you want something visual, visit Art/Artists.
  • If you want a trusted starting point, look for favorites and featured posts.
  • If you want to wander, start anywhere and let the posts guide you from one discovery to the next.

6. Interact and Suggest

Visitors are encouraged to participate. If you discover an author, musician, band, or visual artist who belongs in the Roaming the Arts universe, share the suggestion. Comments, emails, and social media interactions help shape what gets discovered next.

7. Come Back Often

Roaming the Arts is always growing. New posts, recent reads, featured musicians, and visual discoveries continue to expand the site. A quick visit can lead to a new favorite song, a book for your next vacation, a writer for your book club, or an artist whose work stays with you.
Little Known Heroes Music Roots/Americana

Rodney Crowell

Born in 1950 in Houston, Texas, Rodney Crowell has built a career as one of the most significant figures in the evolution of Americana music. Raised in a musical household where his father led a honky-tonk band, Crowell began playing drums in that group at age 11. His journey took him to Nashville in 1972, where he befriended a circle of legendary songwriters, including Guy Clark and Townes Van Zandt. This early period was formative, as Crowell absorbed the craft of songwriting with a literary and poetic lens that would define his life’s work. His talent was quickly recognized by Emmylou Harris, who recorded his song “Bluebird Wine” and invited him to join her famous Hot Band as a guitarist and harmony singer in 1975.

During the late 1970s and early 1980s, Crowell established himself as a premier songwriter for other artists. His compositions reached the top of the charts via icons like Johnny Cash, Waylon Jennings, and Bob Seger, whose recording of Crowell’s “Shame on the Moon” became a massive pop and country success. Crowell also served as a producer, notably for his then-wife Rosanne Cash, helping to shape the sound of neo-traditionalist country music. However, it was his 1988 solo album, Diamonds & Dirt, that made him a superstar in his own right. The album achieved the unprecedented feat of producing five consecutive #1 country singles, including “After All This Time,” which won him his first Grammy for Best Country Song.

As the 1990s progressed, Crowell consciously moved away from the mainstream country machine to pursue more personal and autobiographical projects. This shift began in earnest with the 2001 release of The Houston Kid, a semi-autobiographical collection that explored his childhood and roots with stark honesty. This record, along with follow-ups like Fate’s Right Hand and The Outsider, is regarded by critics and Crowell himself as some of his most vital work. His literary prowess eventually extended to the page with his acclaimed memoir, Chinaberry Sidewalks, published in 2011.

Crowell’s later career has been marked by high-profile collaborations and continued innovation. He reunited with Emmylou Harris for the 2013 album Old Yellow Moon, which earned another Grammy for Best Americana Album. He has remained remarkably prolific well into his 70s, releasing projects like the Jeff Tweedy-produced The Chicago Sessions (2023) and his 20th studio album, Airline Highway (2025), which features contributions from younger artists like Ashley McBryde and Lukas Nelson. Inducted into the Nashville Songwriters Hall of Fame and recipient of the Americana Music Association’s Lifetime Achievement Award, Crowell is celebrated as a “songwriter’s songwriter” whose influence spans over five decades of American roots music.

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Della Mae

Della Mae is a GRAMMY-nominated, all-female string band that has spent the last 15 years redefining the boundaries of bluegrass and Americana. Founded in Boston in 2009 by fiddle champion Kimber Ludiker, the group has evolved from a regional sensation into a global force, touring over 30 countries as cultural ambassadors.

The band’s sound is a “melting pot” of their diverse backgrounds, blending high-energy bluegrass with indie-folk and modern country. Their performances are celebrated for their “sensory yet assertive” style, balancing traditional roots with contemporary songwriting.

Della Mae’s discography is marked by steady growth and critical acclaim. Their 2013 album, This World Oft Can Be, earned a GRAMMY nomination for Best Bluegrass Album and helped them win the IBMA Emerging Artist of the Year award. Subsequent releases like Headlight (2020) and Family Reunion (2021) continued to push their lyrical and sonic boundaries.

In early 2025, the band reached a new creative peak with their album Magic Accident, released on January 23 via Compass Records. Produced by banjo legend Alison Brown, the album is described as their most collaborative work to date, featuring original songs from every member. Standout tracks include the title song, penned by Woodsmith, and “Out Run ‘Em,” written by Smith.

Beyond the stage, Della Mae is a “movement” focused on female empowerment and social advocacy. They use their platform to mentor young musicians and support initiatives for gender equality and labor rights. Through their work with the U.S. State Department’s “American Voices” program, they have brought bluegrass to audiences from urban schools in Kazakhstan to rural festivals in Brazil, proving that their music transcends cultural and geographic borders.

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