Willie Porter
Willy Porter is a contemporary American rock musician and singer-songwriter from Mequon, Wisconsin. He is a graduate of the University of Wisconsin-Eau Claire. In April
Willy Porter Biography
by Richard Skelly – from Allmusic.com
Like Greg Brown, John Hammond, Leo Kottke, Stephen Fearing, Richard Shindell, Kelly Joe Phelps, and so many others, Willy Porter is often at his strongest as a solo act. He does work with a band periodically, but given the economics of touring in recent years, he seems to perform more frequently accompanying himself with guitar and mandolin. Porter honed his chops the natural way, busking across Europe and playing every little coffee house and dive bar on both sides of the Mississippi. He’s a veteran performer who takes his audiences with him on the journey. He elicits a rare kind of communication between artist and audience, mostly because he’s able to read his audiences so well.
Porter was raised near Milwaukee, and his first big breaks were playing theater-sized shows there and in Madison. As could be expected from someone from this part of the country, there’s an element of blues in Porter’s singing and songwriting and in most of his live shows, although he’s best thought of as a contemporary singer/songwriter, straight out of the world of folk music. He began playing viola, a notoriously difficult instrument to master, in his youth, but found he lacked the discipline for classical music as a career path. He had a revelation in his teens when he found Leo Kottke’s album, “6 & 12 String Guitar.” Kottke‘s playing opened up new vistas for Porter, who began playing guitar after dropping his viola studies.
As the occasion or tour dictates, you can catch Porter solo or with a backing band of veterans from Wisconsin.
Neal Francis
Neal Francis
“The reincarnation of Allen Toussaint.” Craig Charles, BBC Radio 6
“Think New Orleans meets the Midwest with a little bit of California sun shining in the background.” -TwinCitiesMedia.net
“There’s a good chance you’ll have heard of Francis by the time the year is over…classic Funk, Soul and R&B.” Cincinnati CityBeat
“…gleefully mired In 70s style funk.” – NPR
“Soulful style…uplifting vibe…” – Dusty Groove
“Instant Americana-funk classic…R&B, blues and touches of gospel and good old fashioned funk merge into pure beauty and soul here, making the appetite and excitement for whatever Francis does next all the more intense.” – Record Crates United
Eilen Jewell
From: Bernard Zuel – Music Journalist
FULL DISCLOSURE: WHY THE RULES HAVE CHANGED FOR EILEN JEWELL
MAYBE IT’S THE MIDWEST UPBRINGING of politeness and reserve that lay behind it. Maybe it’s the natural defence of someone who already was out and exposed as an artist in a corner of Americana that values the personal as much as the historical. Whatever it might be with Eilen Jewell, in about 13 years of interviewing her, she has always shown herself adept at talking about her songs and her life in a way that deflected personal revelations.
It’s not that she didn’t answer questions, but those answers made the generalities of her characters the focal point and gave just enough to let us see how she’d build relationships to them but not be defined by them. It was politely done of course, and was not without things to chew on given a sharp intelligence and an eye on American culture whether it was her love of Loretta Lyn and Howlin’ Wolf, the pay gap between the sexes, or political resistance as something of a progressive island in a state that’s anything but.
Well, things have changed with the coming record, Get Behind The Wheel. Not only has Jewell written an album that came out of the Covid-era breakup of her marriage to long-time drummer, co-manager, and co-parent, Jason Beek, and some deaths in her wider family, but she has been talking openly, frankly, about her circumstances.
It’s hard to imagine that was a comfortable transition, not least because growing up in Idaho you kept your business to yourself, but you have to wonder if it has been dragged out of her, or did she feel it was inevitable and stopped fighting.
“It is really new for me to talk about anything having to do with my personal life,” the Boise-based Jewell says. “But this time around it seemed like it would be wrong to not discuss it because this album is so, so directly influenced by everything that I’ve gone through in the past couple of years. I just feel like I would be lying if I said ‘oh, I don’t know, it’s just about people and things’ [she laughs].
“Also the pandemic taught me that that there’s something really important about sharing parts of ourselves. That’s what sharing my music is [and] I guess it dawned on me this actually could be a good thing for me, it could open me up to my fans and there’s a chance there could be some cathartic sharing on both sides.”
There probably won’t be any problems getting her fans to share their thoughts next month when she will spend several weeks in Australia (heaven knows we’re not a quiet bunch), but when you put these things out like Jewell is now doing, not only are you exposing yourself but you are setting the agenda for how things are interpreted. And this is before even considering that Beek is still playing in her band and will be on the tour.
How people interpret your songs and your album, and inevitably yourself, will be shaped by these revelations and explanations. Is that a good thing? Was it even planned?
“The label was saying you’ve got to figure out how to talk about this new album, so I was like, yeah, shoot, I’ve gotta decide how much do I want to disclose? How much do I want to set the stage for these songs?,” she says. “Because, yeah, in the past I’ve not done that and thought that the songs should stand on their own and people can interpret them how they want. People are still free to interpret them however, obviously, but this album really did occur at a particular point in time for me. It was a disaster of a moment in my life this album was born out of, beyond anything else I’ve ever experienced, and I felt this album deserved an exception to my normal rule.” It was time? At 43, maybe it’s as simple as that.
“I guess I do want to talk about this stuff, this stuff being the pandemic, the divorce that came out of that, or coincided with it, and then family losses, people near and dear to me – not even Covid-related, but just one after another,” Jewell says. “For the first time in my life it feels cathartic to talk about what was going on behind the scenes. I don’t think it’s necessary information to appreciate the album, but there’s a few Neil Young albums where I gleaned he was going through a particular thing in his life and then read later that in fact, yes that’s happening, and something about that makes me appreciate the album just a little bit more. I have a sense of who he is more.”
From a long low base of knowledge about the album so far – it’s not yet available to media, let alone the public, though we will hear some songs from it at her March shows – a title like Get Behind The Wheel suggests maybe taking control of her life, or at least setting the direction. How did she handle this resetting and reclaiming of control?
“It’s really been a mixed bag,” she confesses. “I think when I wrote that song – the song that contains that phrase ‘get behind the wheel’ is called Alive – I felt so inspired to take control and have agency, it was all very new. I was like, well, so much is crashing down around me but this is an opportunity to just up inside my life in a really authentic way. And that’s still present, but I’m also realising that it’s much harder than it sounds, and sometimes [she laughs ruefully] it’s awful.” No one would blame her for looking away.
“There’s part of me that would just love to drift around and say ‘I don’t know, someone else take the wheel: I’m getting tired already’,” says Jewell. “But I was guilty of some of that for many years, going with the flow with my career, and my personal life too … being cooperative, and they really comes at a cost eventually. You can’t keep whittling your life away like that. Eventually you realise that your heart is not fully in it, and there’s always a reckoning with that.” When she looks at who she was, even three years ago, and who she is now, how does she judge that person?
“I … think … that … person … was … somewhat,” she says slowly, before a long pause. “Somewhat overeager to find distractions. The old me really didn’t want to look at life just as it is. The old me was always kind of looking into the future, thinking about how things will be better or should be better, or the past. The here and now was something that I tended to avoid. “But all we really have is the here and now. The past is gone and the future is a fantasy.”
Amor Towles
Amor Towles
Born and raised in the Boston area, Amor Towles graduated from Yale College and received an MA in English from Stanford University. Having worked as an investment professional for over twenty years, he now devotes himself full time to writing in Manhattan, where he lives with his wife and two children. His novels Rules of Civility, A Gentleman in Moscow, and The Lincoln Highway have collectively sold more than five million copies and been translated into more than thirty languages.
A Gentleman in Moscow is the 30-year saga of the Count Alexander Ilyich Rostov, who is placed under house arrest inside the Metropol Hotel in Moscow in 1922 when the Bolsheviks spare him from death or Siberia because of his 1913 revolutionary poem written in university.
Hello, Bookstore
Hello, Bookstore – Lenox, Massachusetts
As Roaming the Arts reflects on the last year or so, the most heartwarming story about books and the people who love them is the story of a small New England bookstore, on the verge of closing due to the pandemic, and the documentary film made to tell the story of survival.
In 2020, on the verge of closing down, a GoFundMe was started and the owner’s friends, the town, and many others stepped up to save this independent bookstore. It’s a great story, and for this website, at the heart of why our passion for authors and books is a sharing experience.
Check out some of what was said in Print:
In the Local paper.
What Variety said.
(also find stories in the NY Times, the Boston Globe, and many others.)
On the Bookshelf – Recent Reads
On the Bookshelf – Recent Reads
Authors, many without websites or first time published, from and about locations around the world.
Story of a great film director making a late career movie – Jonathan Coe – Mr. Wilder and Me
Billy Wilder made some of the most iconic movies of his time, Some Like It Hot, The Apartment, Irma la Douce, Front Page, The Fortune Cookie, to name just a few. This historical fiction piece is told through the eyes of a young Greek woman who meets Wilder and his team and winds up working on the 1977 production of the the film Fedora.
Irish family saga over decades up to 2008 recession – Paul Murray – The Bee Sting
Paul Murray’s The Bee Sting, an irresistibly funny, wise, and thought-provoking tour de force about family, fortune, and the struggle to be a good person when the world is falling apart. Told by four family menbers, father mother, daughter, son, each a voice in conflict with the moment. Over 500 pages. Stay the course.
Another first book makes lasting impression – Amanda Peters – The Berry Pickers
An amazingly perfect use of the device where the reader is shown where the story will go, but is often brought near tears on the way. The story of two families, two cultures, and both love and heartbreak throughout a lifetime. An especially good read.
What happened when Dorothy returned to Kansas? – Gordon McAlpine – After Oz
With the release of “Wicked” on film, Dorothy is once again topical and Oz again a fantasy destination. This novel, the authors last before his untimely passing, suggests what may have happened in the days and months after the tornado that whisked the young girl away and back again.
Fantasy author delivers a terrific crime thriller – Dave Dobson – What Grows From the Dead
North Carolina college professor, improv comic, and writer provides an ensemble cast supporting an unlikely hero who has hit bottom in life and career, only to find he had inherited little from his mom except trouble.
New book about an old city – Ruth Reichl – The Paris Novel
Novelist and food writer takes us to Paris in the 1980’s with a young woman needing to find herself (not a cliche, but a charming rendition and tour guide.) Book Club book, gourmet treat, and travel instigator. Already looking at flights.
American Literary Icon who passed away in 2023 – Russell Banks – American Spirits
An American treasure whose stories focus on the locales and people in the Adirondacks of upstate New York. Check out this recent PBS video tribute and a 1995 feature on CBS Sunday Morning which gives an interesting perspective on what young people cared about…30 years ago.
From the 1990’s – Henning Mankell – Faceless Killers
Terrific series taking place in Southern Sweden and featuring Wallender, a main character played deftly on the PBS series by Kenenth Branaugh.
New book from old favorite – Tim O’Brien — America Fantastica
An American Master returns: the author of The Things They Carried and In the Lake of the Woods delivers his first new novel in two decades.
First time author – Nilima Roa — A Disappearance in Fiji
What is told as a mystery is really an amazing history lesson of British colonialism, and Indian and native culture in the Fiji Islands off the coast of Australia in 1914.
