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Don Winslow

Don Winslow

An author with an impact and a message – see Don Winslow Films

January 2026 – He’s back with – The Final Score

April 2024 – City in Ruins

April 2023 – City of Dreams

April 2022 – The start of a new trilogy – City on Fire 

“Epic, ambitious, majestic, City on Fire is The Godfather for our generation.” – Adrian McKinty, New York Times bestselling author of The Chain

Two criminal empires together control all of New England.

Until a beautiful woman comes between the Irish and the Italians, launching a war that will see them kill each other, destroy an alliance, and set a city on fire.

Danny Ryan yearns for a more “legit” life and a place in the sun. But as the bloody conflict stacks body on body and brother turns against brother, Danny has to rise above himself. To save the friends he loves like family and the family he has sworn to protect, he becomes a leader, a ruthless strategist, and a master of a treacherous game in which the winners live and the losers die.

From the gritty streets of Providence to the glittering screens of Hollywood to the golden casinos of Las Vegas, two rival crime families ignite a war that will leave only one standing. The winner will forge a dynasty.

Exploring the classic themes of loyalty, betrayal, and honor, City on Fire is a contemporary masterpiece in the tradition of The Godfather, Casino, and Goodfellas—a thrilling saga from Don Winslow, “America’s greatest living crime writer” (Jon Land, Providence Journal).

A most unusual review – #BooksWithWallace

2020 release, “Broken.”

In six intense short novels connected by the themes of crime, corruption, vengeance, justice, loss, betrayal, guilt and redemption, Broken is #1 international bestseller Don Winslow at his nerve-shattering, heart-stopping, heartbreaking best. In Broken, he creates a world of high-level thieves and low-life crooks, obsessed cops struggling with life on and off the job, private detectives, dope dealers, bounty hunters and fugitives, the lost souls driving without headlights through the dark night on the American criminal highway.

With his trademark blend of insight, humanity, humor, action and the highest level of literary craftsmanship, Winslow delivers a collection of tales that will become classics of crime fiction.

The Trilogy

Of all the blows delivered by Don Winslow’s Cartel trilogy, none may be as devastating as the timing of “The Border,” its stunner of a conclusion. Though Winslow cannot have engineered all of this 14 years ago when he started this series, his sweeping new novel concerns subjects that put it right on the culture’s front burner: the Mexican-American border, the handling of migrant children, the opioid crisis and some barely fictionalized claims about how foreign money has bought influence at the highest level of the U.S. government.

The book’s title, “The Border,” refers to both physical and moral barriers. Winslow is well aware that both that and its cover image, which depicts a razor-wire-topped wall spreading across a desert landscape, are politically loaded. “Loaded phrases, like loaded guns, are more interesting, aren’t they?” Winslow said to Entertainment Weekly in September. As for the book’s depiction of fiercely partisan American politics, including its treatment of characters who are unmistakable versions of the current president and his son-in-law: “I know this book is going to make some people angry. I can live with that.”

Even though the first installment of this trilogy was named “The Power of the Dog,” after a biblical intimation of evil (“Deliver my soul from the sword; my love from the power of the dog,” Psalms 22:20), it only hinted at the magnitude and ferocity of what was to come. That opening novel now looks like the series’ relatively innocent prologue — and it is as blade-sharp, violent, pulse-quickening and reportorially shocking as the pinnacle of some lesser series might be.

“The Power of the Dog” is, in brief, about the first decades that bind the destinies of Art Keller, a Vietnam veteran and later D.E.A. agent, and Adán Barrera, a young Mexican who will go on to achieve the most dizzying heights of power. The book begins in a burning Mexican poppy field in 1975 (“Only in hell, Art Keller thinks, do flowers bloom fire”) and leaves Keller among more poppies in 2004. Many unspeakable acts happen in between, melding the personal with the political (Iran-contra). It is all rendered unputdownable by Winslow’s unrivaled skill at his game.

Little Feat

Little Feat

The Can’t Be Satisfied Tour is still going strong.  Check the list for a city near you.

This recent VIDEO celebrating Waiting for Columbus at the Ryman Auditorium in Nashville kicks a Fat Man in the Bath Tub into 2025 high gear.

Paul is gone and Lowell George, gone so long we can only imagine what he may have accomplished as his 78th birthday recently passed.

R.I.P. Paul Barrere

Now, a Billy Payne led band has opened a new chapter. Out on the road, hosting festivals, and recently featured on a cruise (Big Easy Cruise 2023.)

Gotta Love ‘Em. FEAT, FEAT FEAT FEAT.

Must check out this Video ,  featuring very young guests, Emmy Lou Harris, Bonnie Raitt, and Jesse Winchester. 

Other former members of the band to be cherished:

Shaun Murphy

Craig Fuller

Read this great article:

Where Do I Start With Little Feat?

By Lara Zarum

 

Ace Atkins

Location for Quinn Colson series – Mississippi

New York Times Bestselling author Ace Atkins has been nominated for every major award in crime fiction, including the Edgar three times, twice for novels about former U.S. Army Ranger Quinn Colson. He has written eight books in the Colson series and continued Robert B. Parker’s iconic Spenser character after Parker’s death in 2010, adding seven best-selling novels in that series. A former newspaper reporter and SEC football player, Ace also writes essays and investigative pieces for several national magazines including Time, Outside and Garden & Gun.

His most recent stand-alone Don’t Let the Devil Ride is a daring ride through Memphis grit.

He lives in Oxford, Mississippi with his family, where he’s a friend to many dogs and several bartenders.

Dawes

Dawes is an American folk-rock band that has spent the last decade and a half serving as the primary torchbearers for the “Laurel Canyon sound.” Formed in Los Angeles in 2009 following the dissolution of the post-punk band Simon Dawes, the group transitioned into a more organic, roots-oriented aesthetic. Led by brothers Taylor and Griffin Goldsmith, the band quickly established itself as a critical darling, blending the poetic introspection of 1970s singer-songwriters with the muscular, live-performance energy of a seasoned rock ensemble. Their music is often described as timeless, evoking the ghost of Jackson Browne, the harmonies of Crosby, Stills, and Nash, and the gritty guitar sensibilities of Neil Young.
 
At the heart of the band’s identity is Taylor Goldsmith’s songwriting. He is widely regarded as one of his generation’s most gifted lyricists, possessing an uncanny ability to spin conversational phrases into profound existential observations. His songs often function as short stories, populated by characters grappling with the passage of time, the nuances of modern love, and the quiet tragedies of everyday life. This narrative depth is anchored by his brother Griffin’s drumming, which is characterized by a melodic, soulful touch that provides the band’s rhythmic backbone. Together, their sibling chemistry creates a telepathic musical foundation that has remained the group’s constant through various lineup changes.
 
The band’s discography serves as a chronicle of their evolution from retro-leaning folk-rockers to sophisticated studio craftsmen. Their debut album, North Hills, was recorded live to analog tape, capturing a warm, hazy atmosphere that felt like a rediscovered relic from 1971. As they progressed through albums like Nothing Is Wrong and Stories Don’t End, their sound expanded to include more polished production and adventurous arrangements. However, they never lost the “live in a room” feel that makes their records feel intimate and authentic. By the time they reached All Your Favorite Bands, they had solidified their status as a premiere live act, known for extended jams and a rotating setlist that rewards a dedicated, cult-like following.
In recent years, Dawes has navigated a significant transition. After the departure of long-time members Wylie Gelber and Lee Pardini, the Goldsmith brothers decided to continue as a duo, a move reflected in their ninth studio album, Oh Brother (2024). This latest era emphasizes the raw connection between the two siblings, stripping back some of the auxiliary instrumentation to focus on the interplay between Taylor’s guitar and Griffin’s percussion. Despite the smaller core membership, the band continues to tour with a robust live lineup, maintaining their reputation for high-energy performances that bridge the gap between indie-folk and classic stadium rock.
 
Ultimately, Dawes occupies a unique space in the modern musical landscape. They are a band’s band, frequently invited to back legendary artists like Jackson Browne, Robbie Robertson, and Elvis Costello. They have avoided the fleeting trends of the digital age, opting instead for a career built on craftsmanship, touring, and a deep respect for the tradition of American songwriting. For their fans, a Dawes song is more than just a melody; it is a mirror reflecting the complexities of growing up and growing older in an ever-changing world.

Dawes-FB page

 

Tonio K

Tonio K. (a.k.a. Steven M. Krikorian, b. July 4, 1950) is an American singer/songwriter who has released eight critically acclaimed albums and has had original songs recorded by many of Pop, Rock, Country and R&B’s leading artists ranging from Al Green, Aaron Neville and Burt Bacharach to Bonnie Raitt, Wynonna Judd and Vanessa Williams. His song, “16 Tons Of Monkeys,” co-written with guitarist Steve Schiff, was the featured tune in the 1992 Academy Award winning Live Action Short Film, Session Man. His work with Bacharach and Hip-Hop impresario Dr. Dre won the Grammy for Best Pop Instrumental Recording in 2005.

Deanna Bogart

Deanna Bogart

When it comes to Deanna Bogart, everyone wants to claim her as their own — her hometown, her fans, her fellow musicians and even her instruments. She’s that good–and that good-natured.

Born in Detroit, Deanna spent her early years in Phoenix and New York City, climbing on any available piano bench to plunk and play with preternatural panache.  Around the age of six,  she was “gently removed” from the Brooklyn Conservatory of Music for playing piano by ear instead of learning to read music. While in middle school, Deanna yearned to play the saxophone. Typical of those times though, she was told, “Girls play the clarinet, not the sax.” Thankfully for us all, that tide has changed.

Today, Deanna Bogart is an award-winning multi-instrumentalist and multifaceted musician whose fans value the diversity of her genre-free zone.  As a bandleader/singer/songwriter/producer/pianist/sax player, Deanna combines the best of boogie-woogie, contemporary blues, country and jazz into a splendid blend she calls “blusion.”

Deanna’s fusion of blusion — spontaneous, sophisticated, fearless and fun — has garnered her three consecutive Blues Music Awards’ Horn Instrumentalist of the Year for 2008, 2009 and 2010 and an endorsement contract with Rico Reeds. She has won, at last count, more than 20 Wammies, the music awards for the hotly contested Washington, D.C. region.

Recognized for her dazzling keyboards, soulful saxophone, smoky vocals and cut-above songwriting, Deanna easily wins the hearts of fans on land and at sea on chartered cruises.  She is a featured player in the Legendary Rhythm and Blues Revue, jamming with Tommy Castro, Magic Dick (founding member of the J. Geils Band), as well as prominent guitar slingers. Deanna remembers well her early years as a budding musician and is an avid educator and mentor, sharing her insight and wisdom with students of all ages.

 

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