Peter Mulvey
Peter Mulvey
is an American folk singer-songwriter based in Milwaukee, Wisconsin. Since the early 1990s, he has developed a strong national following in the indie folk/rock scene through his relentless touring and critically acclaimed albums. Wikipedia
Peter is live streaming on a regular basis during the pandemic.
Click on his site below.
The Steel Wheels
Steel Wheels
Creators and Hosts of The Redwing Festival
Simultaneously familiar and fresh, the Steel Wheels bring a singular energy to every note they play and sparkling craft to each song. This potent combination, paired with a robust tour calendar, have made the veteran band hands-down favorites of fans and peers alike. From their base in Virginia’s Blue Ridge Mountains, TSW have played the most prestigious festivals, listening rooms, and clubs in the world, cementing a reputation as one of the top independent bands on the scene today.
Check the website for one of the better responses to pandemic streaming solutions, Distance Together.
Jason Pinter
Jason Pinter
is the bestselling author of Hide Away, the first Rachel Marin novel, as well as five novels in his Henry Parker thriller series and the standalone novel The Castle, which have over one million copies in print worldwide and have been published in over a dozen countries, the Middle Grade adventure novel Zeke Bartholomew: SuperSpy, and the children’s picture book Miracle. He has been nominated for the Thriller Award, Strand Critics Award, Barry Award, RT Reviewers Choice Award, Shamus Award and CrimeSpree Award. Two of his books—The Fury and The Darkness—were chosen as Indie Next selections, and The Mark, The Stolen and The Fury, were named to The Strand’s Best Books of the Year list. The Mark and The Stolen both appeared on the ‘Heatseekers’ bestseller list in The Bookseller (UK). The Mark was optioned to be a feature film.
The Cactus Blossoms
The Cactus Blossoms
“Hey baby, do you wanna take a trip with me? / I’ve got a feeling there might be a silver lining all around.” So begins One Day, the captivating new album from critically acclaimed Minneapolis duo The Cactus Blossoms. Written and recorded during the COVID-19 pandemic, the record explores the tension between optimism and despair that’s defined much of the past few years of American life, examining the power (or naïveté, depending on your perspective) of positive thinking in the face of chaos and uncertainty. The songs here are tender and timeless, with straightforward arrangements centered around brothers Jack Torrey and Page Burkum’s airtight harmonies, and the performances are warm and intimate to match, delivered with a soulful, ’70s-inspired palette of playful Wurlitzer, breezy guitars, and muscular percussion.
The Cactus Blossoms broke out nationally in 2016 with their JD McPherson-produced debut, You’re Dreaming. Dates with Kacey Musgraves, Jenny Lewis, and Lucius followed, as did raves from the New York Times and NPR, who praised “the brothers’ extraordinary singing.” The band was further catapulted into the spotlight in 2018, when David Lynch tapped them to perform in the return of Twin Peaks, and continued to build on their success with their 2019 sophomore LP, Easy Way, which led Rolling Stone to laud the duo’s “rock-solid, freak of genetics harmonies.” High Road Touring
If you love the harmonies of the Everly Brothers, do not miss listening to The Cactus Blossoms. Brothers, they are.
California Honeydrops
California Honeydrops
The Honeydrops have come a long way since guitarist and trumpeter Lech Wierzynkski and drummer Ben Malament started busking in an Oakland subway station, but the band has stayed true to that organic, street-level feel. Listening to Lech sing, it can be a surprise that he was born in Warsaw, Poland, and raised by Polish political refugees. He learned his vocal stylings from contraband American recordings of Sam Cooke, Ray Charles, and Louis Armstrong, and later at Oberlin College and on the club circuit in Oakland, California. With the additions of Johnny Bones on tenor sax and clarinet, Lorenzo Loera on keyboards, and Beau Bradbury on bass, they’ve built a powerful full-band sound to support Wierzynski’s vocals. More like parties than traditional concerts, their shows feature extensive off-stage jamming and crowd interaction. “The whole point is to erase the boundaries between the crowd and us,” Wierzynski says. “We don’t make setlists. We want requests. We want crowd involvement, to make people become a part of the whole thing by dancing along, singing, picking the songs and generally coming out of their shells.”
Ballroom Thieves
“A rock band in a folk suit,” The Ballroom Thieves
Calin “Callie” Peters (vocals, cello, bass), Martin Earley (vocals, guitar), and Devin Mauch (vocals, percussion) – released their third album Unlovely on February 14, 2020. With subject matters ranging from female empowerment, to love in a committed relationship, to their fury about the current state of American leadership, this collection of tracks is the distillation of the band’s personal and political passions. Songs like “Vanity Trip” and title track “Unlovely” boil over with exasperation and disgust, in protest of today’s status quo. As the first album entirely co-written by Peters and Earley, Unlovely is also a tangible reflection of their evolution from band members to life partners, as heard in songs like “Love Is Easy.”
Incorporating musical styles that range from Motown to classic rock, Unlovely maintains the recognizable, nostalgia-tinged sound of The Ballroom Thieves’ previous outputs while pushing a heightened brashness. Since the release of their first EP and debut full-length, A Wolf in the Doorway, The Ballroom Thieves have consistently and skillfully crossed genres, joining artists like CAAMP, Langhorne Slim and Shakey Graves to bridge the gap between folk, rock, and soul. It’s their unique brand of powerful and harmonious music, while never shying away from topics and ideas they are passionate about, that has charmed fans around the country, while gaining a loyal live following and selling out shows. (Nettwerk Music Group)
