Insert category text here:
-
Rodney Crowell
Born in 1950 in Houston, Texas, Rodney Crowell has built a career as one of the most significant figures in the evolution of Americana music. Raised in a musical household where his father led a honky-tonk band, Crowell began playing drums in that group at age 11. His journey took him to Nashville in 1972, where he befriended a circle of legendary songwriters, including Guy Clark and Townes Van Zandt. This early period was formative, as Crowell absorbed the craft of songwriting with a literary and poetic lens that would define his life’s work. His talent was quickly recognized by Emmylou Harris, who recorded his song “Bluebird Wine” and invited him to join her famous Hot Band as a guitarist and harmony singer in 1975.
During the late 1970s and early 1980s, Crowell established himself as a premier songwriter for other artists. His compositions reached the top of the charts via icons like Johnny Cash, Waylon Jennings, and Bob Seger, whose recording of Crowell’s “Shame on the Moon” became a massive pop and country success. Crowell also served as a producer, notably for his then-wife Rosanne Cash, helping to shape the sound of neo-traditionalist country music. However, it was his 1988 solo album, Diamonds & Dirt, that made him a superstar in his own right. The album achieved the unprecedented feat of producing five consecutive #1 country singles, including “After All This Time,” which won him his first Grammy for Best Country Song.
As the 1990s progressed, Crowell consciously moved away from the mainstream country machine to pursue more personal and autobiographical projects. This shift began in earnest with the 2001 release of The Houston Kid, a semi-autobiographical collection that explored his childhood and roots with stark honesty. This record, along with follow-ups like Fate’s Right Hand and The Outsider, is regarded by critics and Crowell himself as some of his most vital work. His literary prowess eventually extended to the page with his acclaimed memoir, Chinaberry Sidewalks, published in 2011.
Crowell’s later career has been marked by high-profile collaborations and continued innovation. He reunited with Emmylou Harris for the 2013 album Old Yellow Moon, which earned another Grammy for Best Americana Album. He has remained remarkably prolific well into his 70s, releasing projects like the Jeff Tweedy-produced The Chicago Sessions (2023) and his 20th studio album, Airline Highway (2025), which features contributions from younger artists like Ashley McBryde and Lukas Nelson. Inducted into the Nashville Songwriters Hall of Fame and recipient of the Americana Music Association’s Lifetime Achievement Award, Crowell is celebrated as a “songwriter’s songwriter” whose influence spans over five decades of American roots music.
-
Iris Dement
Iris Dement
Embedded Video is also featured on her web site.
Included here just in case you missed it. Ergo..don’t miss it.
“Iris DeMent makes music that celebrates humanity’s efforts toward salvation, while acknowledging that most of our time on Earth is spent reconciling with the fact that we don’t feel so redeemed. Grounded in hymns, early country songs, gospel and folk, DeMent’s work is treasured by those who know it for its insight and unabashed beauty.” ~ NPR
-
(Big) Al Anderson
Al Anderson
Listed as one of the top 100 guitar players of the 20th century by Musician Magazine and with over 900 cuts internationally, Big Al’s music career was destined. Raised by his piano teacher mother and a radio that would get WWVA in Wheeling West Virginia late at night, he would devour all genres of music from Hank Williams, The Everly Brothers, The Ventures, Chet Atkins, Elvis, Little Richard, Ray Charles, Motown and Stax paving the way for what would be a giant life in music.
NRBQ years
His first band “The Sixpacks” became “The Wildweeds,” recording a regional hit “No Good To Cry” that went on to chart nationally. With a change in record labels (from Chess to Vanguard) and a change in musical direction, Al caught the attention of the members of NRBQ. In 1971, Al left Connecticut for New York’s to enroll at the “University of Q” — a 22 year planetary course in all things musical. Al’s exposure to a evener wider range of musical genres served him well in the “Q.” His mind and string-bending guitar playing coupled with his giant stage presence had become legendary, and in the course of recording over a dozen albums with them, he had written some of the band’s most memorable songs — ‘Ridin in My Car’, ‘Never Take The Place of You,’ It Was An Accident,’ ‘Comes to Me Naturally,’ ‘What a Nice Way to Go,’ ‘Feel You around Me,’ and many more.
After over two decades of hard touring, hard living and encyclopedic musical knowledge, Al was ready to change his already prodigious song writing talent into a full-time venture.
Two years before he left NRBQ, he wrote a song with Carlene Carter, “Every Little Thing” that she took to top 5 all over the world. That song, and meeting music publisher Pat Daniel McMurry (Escott), were the turning points in Al’s career and life. With the support, guidance and belief that Pat provided, Al became unstoppable. At the same time that Al signed with Pat, he decided to quit drinking and suddenly became one of the most prolific writers in Nashville. “I went from 3 songs a year to writing sometimes 3 a day”.
The parade of hits is long and include singles and cuts by Vince Gill, Bonnie Raitt, Trisha Yearwood, Jimmy Buffett, Martina McBride, Patty Loveless, George Jones, Sheryl Crow, Leann Rimes, Tim McGraw, George Strait, Rascall Flatts, Zac Brown, Anthony Hamilton, Harry Connick Jr and many others.
He latest love is Music City’s premier rock band “The World Famous Headliners” rounded out with top tier penmen/artists/musicians extraordinaire Pat McLaughlin, Shawn Camp, Michael Rhodes and Greg Morrow
