Roots/Americana
Sierra Hull
Sierra Hull is a virtuoso mandolinist and singer-songwriter who has redefined the boundaries of modern bluegrass. Originally from Byrdstown, Tennessee, Hull was a child prodigy who made her Grand Ole Opry debut at age 11 alongside her mentor, Alison Krauss. She later became the first bluegrass musician to receive the Presidential Scholarship to Berklee College of Music.
Hull’s career is marked by historic achievements, including being the first woman to win the International Bluegrass Music Association’s Mandolin Player of the Year—an honor she has now won seven times. Her discography, featuring Grammy-nominated albums like Weighted Mind and 25 Trips, showcases her evolution from a traditional picker to an inventive artist blending folk, jazz, and pop.
In 2025, she released her first independent album, A Tip Toe High Wire, which earned four nominations at the 2026 Grammy Awards, including Best Bluegrass Album. Beyond performing, she mentors the next generation as an instructor at ArtistWorks, cementing her status as a leading creative force in contemporary acoustic music.
Molly Tuttle
Molly Rose Tuttle is an American vocalist, songwriter, banjo player, guitarist, recording artist, and teacher in the bluegrass tradition. She is noted for her flatpicking, clawhammer, and crosspicking guitar prowess. Wikipedia
“A female flat picker extraordinaire with agility, speed, and elegance who distinctively brings American roots music into the spotlight.”—NPR
“A vibrant blend of bluegrass with flashes of Old West, anchored by Tuttle’s earthy-yet-angelic vocal and the entire group’s ace musicianship.” —Billboard
Raised in northern California, singer-songwriter and bluegrass musician Molly Tuttle moved to Nashville in 2015. In the years since, she has been nominated for a Best New Artist Grammy and won awards for Album of the Year at the 2023 International Folk Music Awards, Female Vocalist of the Year at the 2022 International Bluegrass Music Awards, and Instrumentalist of the Year at the 2018 Americana Music Awards. She also won consecutive Guitar Player of the Year awards from the International Bluegrass Music Association in 2017 and 2018—and was the first woman to win the award, let alone win it twice.
Tuttle and her band, Golden Highway, released their latest album, City of Gold, in July 2023. The Grammy-winning album followed Tuttle’s acclaimed 2022 record, Crooked Tree, which also won a Grammy for Best Bluegrass Album. Produced by Tuttle and celebrated progressive bluegrass musician Jerry Douglas, City of Gold was inspired by Tuttle’s constant touring with Golden Highway, during which she and the band have grown and cohered as musicians and performers. Musical Instrument Museum
Her song Crooked Tree (video w/Jerry Douglas) also visits the subject of Alopecia Areata (article) and Molly.
Molly Tuttle has ushered in an exciting new chapter in her career by forming an all-female touring band, stepping away from the four-year run with Golden Highway. This change aligns with the release of her new solo album So Long Little Miss Sunshine, set for August 15, 2025. It signals a stylistic expansion beyond bluegrass, blending pop, country, and rock – a direction further emphasized in her all-female backing band choice.
Rodney Crowell
Born in 1950 in Houston, Texas, Rodney Crowell has built a career as one of the most significant figures in the evolution of Americana music. Raised in a musical household where his father led a honky-tonk band, Crowell began playing drums in that group at age 11. His journey took him to Nashville in 1972, where he befriended a circle of legendary songwriters, including Guy Clark and Townes Van Zandt. This early period was formative, as Crowell absorbed the craft of songwriting with a literary and poetic lens that would define his life’s work. His talent was quickly recognized by Emmylou Harris, who recorded his song “Bluebird Wine” and invited him to join her famous Hot Band as a guitarist and harmony singer in 1975.
During the late 1970s and early 1980s, Crowell established himself as a premier songwriter for other artists. His compositions reached the top of the charts via icons like Johnny Cash, Waylon Jennings, and Bob Seger, whose recording of Crowell’s “Shame on the Moon” became a massive pop and country success. Crowell also served as a producer, notably for his then-wife Rosanne Cash, helping to shape the sound of neo-traditionalist country music. However, it was his 1988 solo album, Diamonds & Dirt, that made him a superstar in his own right. The album achieved the unprecedented feat of producing five consecutive #1 country singles, including “After All This Time,” which won him his first Grammy for Best Country Song.
As the 1990s progressed, Crowell consciously moved away from the mainstream country machine to pursue more personal and autobiographical projects. This shift began in earnest with the 2001 release of The Houston Kid, a semi-autobiographical collection that explored his childhood and roots with stark honesty. This record, along with follow-ups like Fate’s Right Hand and The Outsider, is regarded by critics and Crowell himself as some of his most vital work. His literary prowess eventually extended to the page with his acclaimed memoir, Chinaberry Sidewalks, published in 2011.
Crowell’s later career has been marked by high-profile collaborations and continued innovation. He reunited with Emmylou Harris for the 2013 album Old Yellow Moon, which earned another Grammy for Best Americana Album. He has remained remarkably prolific well into his 70s, releasing projects like the Jeff Tweedy-produced The Chicago Sessions (2023) and his 20th studio album, Airline Highway (2025), which features contributions from younger artists like Ashley McBryde and Lukas Nelson. Inducted into the Nashville Songwriters Hall of Fame and recipient of the Americana Music Association’s Lifetime Achievement Award, Crowell is celebrated as a “songwriter’s songwriter” whose influence spans over five decades of American roots music.
Della Mae
Della Mae is a GRAMMY-nominated, all-female string band that has spent the last 15 years redefining the boundaries of bluegrass and Americana. Founded in Boston in 2009 by fiddle champion Kimber Ludiker, the group has evolved from a regional sensation into a global force, touring over 30 countries as cultural ambassadors.
The band’s sound is a “melting pot” of their diverse backgrounds, blending high-energy bluegrass with indie-folk and modern country. Their performances are celebrated for their “sensory yet assertive” style, balancing traditional roots with contemporary songwriting.
Della Mae’s discography is marked by steady growth and critical acclaim. Their 2013 album, This World Oft Can Be, earned a GRAMMY nomination for Best Bluegrass Album and helped them win the IBMA Emerging Artist of the Year award. Subsequent releases like Headlight (2020) and Family Reunion (2021) continued to push their lyrical and sonic boundaries.
In early 2025, the band reached a new creative peak with their album Magic Accident, released on January 23 via Compass Records. Produced by banjo legend Alison Brown, the album is described as their most collaborative work to date, featuring original songs from every member. Standout tracks include the title song, penned by Woodsmith, and “Out Run ‘Em,” written by Smith.
Beyond the stage, Della Mae is a “movement” focused on female empowerment and social advocacy. They use their platform to mentor young musicians and support initiatives for gender equality and labor rights. Through their work with the U.S. State Department’s “American Voices” program, they have brought bluegrass to audiences from urban schools in Kazakhstan to rural festivals in Brazil, proving that their music transcends cultural and geographic borders.
Alison Krauss & Union Station
Alison Krauss is nearly too well known to be featured here but the bluegrass world is not necessarily familiar to music fans in general. She is a highly acclaimed American bluegrass-country singer, fiddler, and music producer. A child prodigy who began studying classical violin at age five, she shifted to bluegrass and was winning fiddle championships by her teens. Krauss signed with Rounder Records at age 14 and released her debut solo album, Too Late to Cry, in 1987. Soon after, she joined the band Union Station, beginning a collaboration that has spanned decades and numerous albums, including the recent 2025 release Arcadia.
Krauss’s delicate, crystalline soprano voice and virtuosic fiddle playing have made her one of the most celebrated artists in roots music. Her work was instrumental in revitalizing interest in American roots music, is particularly with her contributions to the hugely successful 2000 film soundtrack for O Brother, Where Art Thou?. The album sold millions of copies and introduced bluegrass to a wide, mainstream audience.
Beyond her work with Union Station, Krauss is known for her successful collaborations. Her 2007 album Raising Sand with Led Zeppelin’s Robert Plant was a critical and commercial smash, winning the Grammy for Album of the Year in 2009. The duo reunited for a follow-up album, Raise the Roof, in 2021.
A record-setting Grammy winner, Krauss has amassed an impressive 27 awards throughout her career, making her the second most-awarded female artist in history. In recognition of her immense contributions to American music, she was also awarded the National Medal of Arts in 2019 and was inducted into the International Bluegrass Music Hall of Fame in 2021. Her legacy is defined by her ability to effortlessly bridge the gap between traditional roots music and a broader contemporary sound.
Her featured guest musician on tour is another RTA favorite – see Jerry Douglas
Jason Isbell
Jason Isbell
Jason Isbell stands as one of the most vital voices in modern American music, a songwriter’s songwriter who has transcended the boundaries of country and Americana to become a premier chronicler of the human condition. Born in Green Hill, Alabama, Isbell’s musical education was steeped in the rich traditions of the Muscle Shoals sound. He first rose to national prominence in 2001 as a member of the Drive-By Truckers, where his soulful voice and sharp-edged compositions provided a powerful counterpoint to the band’s southern rock grit. However, his tenure with the group was cut short by personal struggles, leading to a solo career that would eventually redefine his life and the landscape of roots music.
The turning point for Isbell came with his sobriety and the release of the 2013 album Southeastern. Widely regarded as a masterpiece, the record stripped away the loud guitars to reveal a vulnerable, surgically precise lyricism. Songs like “Elephant” and “Cover Me Up” showcased an unflinching honesty, tackling subjects like terminal illness and the grueling road to redemption with a grace that few of his peers could match. Since then, alongside his powerhouse band, The 400 Unit, Isbell has released a string of critically acclaimed albums, including Something More Than Free, The Nashville Sound, and Weathervanes. These works have earned him multiple Grammy Awards and established him as a master of the southern gothic narrative, capable of writing about working-class struggles, racial tension, and the quiet complexities of fatherhood and marriage.
Isbell’s impact extends beyond his discography; he is a vocal advocate for sobriety and social justice, often using his platform to challenge the gatekeepers of the Nashville establishment. His guitar playing, deeply rooted in the blues and soul of his Alabama upbringing, is as expressive as his singing, often punctuated by blistering slide work that serves the emotion of the song. Whether he is performing a delicate acoustic ballad or leading a feedback-drenched rock anthem, his work is consistently anchored by an obsession with craft. He avoids easy cliches, opting instead for specific, lived-in details that make his songs feel like short stories. Today, Jason Isbell is more than just a musician; he is a literary figure in the world of rock and roll, proving that the most specific stories are often the most universal.
Jason Isbell was married to Amanda Shires. (Click to visit her site) They were part of each other’s bands and often appeared on record together.
Delbert McClinton
Delbert McClinton
Rolling Stone calls him the “Godfather of Americana Music,” and rightfully so. Delbert’s musical style grew from his Texas roots. A little Tejano. A little Bob Wills. Throw in some Jimmy Reed harmonica. Add a splash of Big Joe Turner, and a big band horn section. He has also been nominated for Grammys in the Country category, and has been featured in media from the Los Angeles Times to the Washington Post. He has developed a sound that continues to serve him well, as evidenced by the three Grammy Awards for Contemporary Blues on his mantel.
Born in Lubbock, raised in Fort Worth, and now with homes in Austin, Nashville, and San Miguel de Allende, Delbert recognizes that he has been One Of The Fortunate Few. He grew up with a backstage pass to some of the most significant moments in American culture and music history.
From his early Fort Worth bands, the Straitjackets and the Rondels, to his current band, Self‑Made Men + Dana, he continues to play sold‑out concert halls and dance halls, historical theatres and music festivals across the nation. A major player in several waves of the national surge of Texas music popularity, Delbert has performed multiple times on Saturday Night Live, has been featured on Austin City Limits seven times, as one of the most celebrated guests on the popular series; and appeared on many other national television shows.
His career truly defines Americana music: Delbert’s unique story of American history – with big horns, a strong rhythm section and a hot harmonica lead. To borrow from one of the songs on Tall, Dark & Handsome, whether he’s doing a live show or a recording, you can be assured that Delbert McClinton “don’t leave no chicken on the bone.”
Leftover Salmon
Leftover Salmon
For the past quarter-century, Colorado’s Leftover Salmon has established itself as one of the great purveyors of Americana music, digging deep into the well that supplies its influences; rock ‘n’ roll, folk, bluegrass, Cajun, soul, zydeco, jazz and blues. During their twenty-five plus years as a band they have headlined shows and festivals from coast to coast, released nine albums, and maintained a vibrant, relevant and influential voice in the music world. The evolution of Leftover Salmon’s music is influenced by Leftover Salmon co-founders Drew Emmitt (mandolin/vocals) and Vince Herman‘s (guitar/singer) keen musical instincts, and follows a musical path that adheres to the deep tradition the duo started when they first formed the group along with deceased banjo player Mark Vann. The addition of new band members over the years has nurtured an unmistakable evolution and freshness in Leftover Salmon’s sound, and has added an edge to the long-lasting power of the band’s music. (youtube)
Jerry Douglas
THE JERRY DOUGLAS BAND
Dobro master and 14-time Grammy winner Jerry Douglas is to the resonator guitar what Jimi Hendrix was to the electric guitar: elevating, transforming, and reinventing the instrument in countless ways. In addition to being widely recognized as the foremost master of the Dobro, Jerry Douglas is a freewheeling, forward-thinking recording artist whose output incorporates elements of bluegrass, country, rock, jazz, blues and Celtic into his distinctive musical vision. Called “dobro’s matchless contemporary master,” by The New York Times, fourteen-time Grammy winner Jerry Douglas is one of the most innovative recording artists in music, both as a solo artist and member of groundbreaking bands including J.D. Crowe & the New South, the Country Gentlemen, Boone Creek, the Grammy-winning The Earls of Leicester, and Strength In Numbers.
Douglas’ distinctive sound graces more than 1500 albums, including discs released by Garth Brooks, Paul Simon, James Taylor, Elvis Costello, Earl Scruggs, and Ray Charles, among many others. Since 1998, he’s been a key member of “Alison Krauss and Union Station featuring Jerry Douglas”, touring extensively and co-producing and playing on a series of platinum albums. He has produced albums for Krauss, the Del McCoury Band, Maura O’Connell, and Jesse Winchester and is is co-Music Director of the acclaimed BBC TV series Transatlantic Sessions, and his latest solo album Traveler features guest appearances by such notable friends as Paul Simon, Mumford & Sons, and Eric Clapton, among others. (from NPR)
In studio with John Hiatt on a great tune — “All the Lilacs in Ohio”
