Pete & Maura Kennedy
At well over a million miles of roadwork, including two stints as members of Nanci Griffith’s Blue Moon Orchestra, Pete and Maura Kennedy show no signs of slowing down either on tour or in the creative realm.
Originally based in Austin, Texas, they spent a few years in the Washington DC area before moving to the East Village in New York City, where they have been based for most of the last two decades. The Kennedys are known nationwide as the hosts of the late lamented Dharma Café program on Sirius Satellite Radio, and on Broadway, they are regular cast members of Theatre Within’s annual tribute to John Lennon — working in that capacity with Patti Smith, Debbie Harry, Jackson Browne, Cyndi Lauper and a host of others.
and check out in books:
Tone, Twang & Taste: A Guitar Memoir, by Pete Kennedy
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Rickie Lee Jones
Rickie Lee Jones occupies a unique space in the American musical landscape, serving as a bridge between the gritty bohemianism of the late 1970s and the sophisticated, genre-bending artistry of the modern era. Often hailed as the “Duchess of Coolsville,” Jones burst into the public consciousness in 1979 with a sound that felt entirely new. Her eponymous debut album arrived with a mixture of street-smart poetry and jazz-inflected phrasing. The massive success of the single “Chuck E.’s in Love” turned her into an overnight sensation, making her the face of a new kind of singer-songwriter—one comfortable with both beatnik aesthetics and pop sensibilities.Her nomadic childhood laid the foundation for this restless spirit. Born in Chicago and raised across several states, Jones developed a worldview as a permanent outsider. This sense of displacement became a central theme in her songwriting, fueling the cinematic narratives of her albums. By the time she reached Los Angeles in the mid-1970s, she was a fixture of the Troubadour scene. While her relationship with Tom Waits during this period became legendary, it was her own musical identity—characterized by complex arrangements and a refusal to stick to a single tempo—that defined her legacy.Following her debut, Jones defied the “sophomore slump” with Pirates (1981). To many, this remains her masterpiece. It was an ambitious, darker record featuring sprawling tracks like “The Last Chance Texaco.” Pirates showcased her ability to weave intricate stories of the American road into a tapestry of jazz, rock, and R&B. During this time, her reputation for being uncompromising was solidified; she followed her muse rather than industry trends.As the years progressed, Jones continued to surprise audiences with stylistic shifts. She delved into the Great American Songbook with albums like Girl at Her Volcano and Pop Pop, proving herself one of the finest interpretive singers of her generation. Her ability to deconstruct a standard allowed her to stand alongside jazz greats. Yet, she never stayed in one place; in 1997, she released Ghostyhead, an experimental trip-hop album that proved her songwriting could thrive even in electronic contexts.The turn of the millennium saw Jones leaning into her role as a chronicler of the human condition. Albums like Balm in Gilead showcased an artist grappling with spirituality and aging. Her voice gained a weathered, soulful quality that added weight to her lyrics. In 2021, she released her memoir, Last Chance Texaco, providing a raw look at her life from her traumatic youth to her enduring commitment to her craft.Recently, Jones found a new home in New Orleans, which influenced her 2023 album Pieces of Treasure. This return to jazz roots earned her an eighth Grammy nomination and feels like a full-circle moment for an artist who has retained her edge. Rickie Lee Jones remains a singular figure, a troubadour finding beauty in the margins and poetry in the everyday. -
Garland Jeffreys
Happy 75th birthday to Garland Jeffreys – a true original, an absolute treasure of a songwriter, and an ASCAP member for 48 years. May you forever stay wild in the streets…
Younger generations of musicians have heard Jeffreys’ call. He’s been covered by everyone from LA punkers The Circle Jerks (who gave his song “Wild in the Streets” a hardcore makeover, turning it into an unofficial anthem of the skatepunk community) to neo-folk act Vetiver. And he continues to be a staple for TV and commercial placements. As but one example, a recent episode of 13 Reasons Why features both the Circle Jerks cover of “Wild in the Streets” and a raucous reinterpretation by the Peruvian-American psych-punk band Los Huaycos.
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James (Jim) Sallis
James Sallis
R.I.P.
James Sallis (born December 21, 1944 in Helena, Arkansas, United States) is an Americancrime writer, poet, critic, musicologist and musician, best known for his series of novels featuring the detective character Lew Griffin and set in New Orleans, and for his 2005 novel Drive, which was adapted into a 2011 film of the same name.
Acclaimed author James Sallis died on Jan. 27, 2026, at the age of 81, after a long battle with illness. Sallis was a native of Helena, Arkansas.
Sallis may have been known for his novels, but he was more than just an author. He was also a creative writing teacher, musician, screenwriter, periodical editor, book reviewer, and translator.
As posted by Poison Pen Bookshop – Scottsdale, AZ :
“We are very sorry to have to share that author James Sallis passed away on Tuesday, January 27, 2026, peacefully, with his wife Karyn by his side, after a long illness. No funeral is planned. If you feel moved to donate in his memory, the family suggests ACLU or the Humane Society as worthy charities that Jim valued.”
Film – Drive starring Ryan Gosling
