Michael Connelly
LOCATION – LOS ANGELES
Michael Connelly
Michael Connelly is a titan of modern crime fiction, renowned for crafting intricate, gritty thrillers centered on iconic characters like LAPD Detective Harry Bosch and defense attorney Mickey Haller, evolving from a journalist’s keen eye for detail into a global bestselling author with over 90 million books sold, earning Edgar Awards, and successfully translating his complex legal and police procedurals into hit TV series like Bosch and The Lincoln Lawyer, solidifying his place as a master storyteller of Los Angeles’ underbelly and justice system.
Born in Philadelphia in 1956, Michael Connelly’s path to literary stardom began not in fiction, but in the trenches of journalism, particularly covering crime for newspapers in Florida and then the Los Angeles Times. This front-line experience, interviewing cops and victims, observing the gritty realities of law enforcement, became the bedrock of his storytelling, lending unparalleled authenticity to his future novels. His breakthrough came in 1992 with The Black Echo, the debut novel featuring Harry Bosch, which immediately earned the prestigious Edgar Award for Best First Novel, signaling the arrival of a major new voice in mystery.
Connelly’s success transcends the printed page. He has become a prolific producer for television, overseeing the highly acclaimed Bosch series (Amazon Prime/Freevee) and The Lincoln Lawyer (Netflix), which brought his beloved characters to vibrant life for a global audience. He also produced the television adaptation of his Renée Ballard novel, The Law of Innocence, and previously saw his novel Blood Work adapted into a film directed by and starring Clint Eastwood.
With over forty novels, numerous awards (including the Grand Master title from the MWA), and a global readership, Michael Connelly remains a leading figure in crime fiction, continually reinventing his universe while staying true to the core themes of justice, redemption, and the relentless search for truth in a world that often hides it. His work offers readers thrilling plots, complex characters, and a deep dive into the heart of criminal investigation.
Billy Price
Billy Price
Billy Price is a legendary soul-blues vocalist who has spent over five decades as a cornerstone of the Pittsburgh music scene. He first gained national prominence in the mid-1970s as the lead singer for guitar virtuoso Roy Buchanan, appearing on acclaimed albums like That’s What I’m Here For and the high-energy Live Stock. This early exposure established Price as a premier interpreter of “blue-eyed soul,” a reputation he solidified after forming the Keystone Rhythm Band in 1977. Throughout the 1980s, the group became a regional powerhouse, blending gritty urban blues with the smooth, rhythmic phrasing of Southern soul.
In the years following the Keystone Rhythm Band, Price continued to refine his craft with the Billy Price Band. A career pinnacle arrived in 2016 when he won a Blues Music Award for Best Soul Blues Album for This Time for Real, a collaborative project with his long-time idol, Otis Clay. Price has remained remarkably prolific in his later years, releasing celebrated albums such as Reckoning and Dog Eat Dog, both of which earned further award nominations. His 2024 release, Person of Interest, marked a significant creative milestone as his first collection consisting entirely of original material. Beyond his musical life, Price maintained a long-term professional career in corporate communications at Carnegie Mellon University until 2023. Now fully retired from his “day job,” he continues to tour extensively across the United States and Europe, remaining a vital force in the international blues community.
Steve Forbert
Steve Forbert
Samuel Stephen “Steve” Forbert is an American pop music singer-songwriter. Bob Harris of BBC Radio 2 said Forbert has “One of the most distinctive voices anywhere.” His 1979 song “Romeo’s Tune” reached No. 11 on the U.S. Billboard Hot 100 and No. 13 on Billboard’s Adult Contemporary Chart. Wikipedia
2020 release – Early Morning Rain — In Steve’s own words:
“For the past few years things have been extremely hectic–nonstop issues and distractions. Now we’re trying to cope with a full-on pandemic – the very kind of contagious thing we studied back in history class! My new record is my idea of rather a “breather”. I’ve released 20 studio albums of original material by now and I’m taking my time writing more songs…but this EARLY MORNING RAIN “cover” album is a what you might call an “easy assignment” for Americana/folk music fans. You don’t have to study new chapters here, just enjoy these renditions of songs you already know and probably love!”
Still prolific Steve has a 2022 and 2023 release. Check out Moving Through America and Streets of this Town – Revisited
For more video variety vist Steve Forbert on social media.
And check out his book:
Big City Cat: My Life in Folk Rock
Carl Hiaasen
Locations around Florida
Carl Hiaasen was born and raised in a bizarre place called Florida, where he still lives. His books have been described as savagely funny, riotous, and cathartic. Oddly, they are beloved even by readers who’ve never set foot in the Sunshine State.
A graduate of the University of Florida, at age 23 Hiaasen joined The Miami Herald as a city-desk reporter and went on to work for the newspaper’s weekly magazine and prize-winning investigations team.
From 1985 to 2021 he wrote an opinion column, which at one time or another thrashed just about every major politician in the state – and occasionally his own bosses. One of Hiaasen’s proudest moments came when a Miami City Commissioner who was enraged by the columns introduced a resolution officially denouncing him.
Hiaasen began writing novels in the early 1980s with his good friend and fellow journalist, the late William D. Montalbano. They collaborated on three mystery thrillers – POWDER BURN, TRAP LINE and A DEATH IN CHINA – which borrowed heavily from their reporting experiences. (From his website)
Band of Heathens
Band of Heathens
Performance Video — Heaven Help Us All
When The Band of Heathens decided to dub their sixth studio album of original material Stranger (its first since 2017’s Duende), the veteran band, formed in Austin, TX nearly 15 years ago, had no idea how prophetic that title would turn out to be. Although the name references the famed existential Albert Camus novel and Robert Heinlein’s sci-fi classic Stranger in a Strange Land, it also touches on the “strangers” who make up the band’s loyal fan base, who supported the band during this period with all touring canceled.
As co-founder Ed Jurdi acknowledges, it is certainly an unusual time to release a new album. “The strangest,” he says. “Maybe no time stranger. Since we started, there have been sweeping, revolutionary changes in the music business, but, in this global pandemic, we’re just a microcosm.”
“We’re really fortunate that we have been able to turn directly to our fan base during the pandemic,” adds fellow co-founder Gordy Quist. “The last few months we’ve spent four nights a week live-streaming personal private concerts to fans, and one night a week publicly live-streaming with the whole band Zooming in from their respective homes in California, Texas, North Carolina and Tennessee. At first it seemed very strange until
these walls started coming down and we realized how connected we are by the fabric of music.”
Extending the metaphor of Stranger even further. The Band of Heathens traveled to another city, Portland, OR, with a brand-new producer, Tucker Martine [The Decemberists, My Morning Jacket, Modest Mouse, Camera Obscura], and the result is something different – a more airy, intimate atmosphere, with added emphasis on songcraft and intricate arrangements set in a spacious sonic landscape that reinvents the band’s sound. These are songs stripped of pretense, but teeming with the emotion borne of personal experience, as has been The Band of Heathens’ method from the very start. Stranger moves off into a new place, but still echoes the group’s artful songwriting and multi-layered narrative observations.
The Stranger was released in 2020 and is a top ten roots rock album riding high in the charts.
Peter Wolf
A Cure for Loneliness manifests the same vibrant passion for music that’s motivated Peter Wolf for most of his life. Growing up in an artistic, politically engaged family in the Bronx, he became an early rock ‘n’ roll convert after attending an Alan Freed rock ‘n’ roll revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, Little Richard and Frankie Lymon. His thirst for new and old sounds drove him to exploring blues, soul, country, folk and jazz, inspiring weekly visits to Harlem’s Apollo Theatre and leading to acquaintances with many of the music’s surviving originators.
Wolf’s talent as a painter won him a grant to study at the Boston Museum School of Fine Arts. While a student there, he experienced a life-changing epiphany after jumping on stage to sing with a blues band at a loft party. He soon talked himself into membership in that band, The Hallucinations.
“I didn’t join a band to meet girls,” Wolf recalls. “I joined my first band to meet musicians. Painting was a fascination for me, but I was a music fanatic, and sitting in with that band was a born-again type of experience for me. I was transfixed, and myself and some of the guys in the band would check out performances by the musicians we admired so much, like Muddy Waters and John Lee Hooker and John Coltrane and Bill Monroe and the Stanley Brothers. Those roots stayed with me.”
Wolf’s natural loquaciousness won him a job as an all-night DJ on the fledgling FM rock station WBCN. Adopting the persona of “the Woofa Goofa,” he spun raw rock ‘n’ roll and rhythm ‘n’ blues, channeling the spirit of the flashy, fast-talking DJs he’d grown up listening to.
Wolf’s encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection. The band soon became a local favorite injecting a much-needed jolt of raw, uninhibited rock ‘n’ roll into the ’70s scene and was soon signed by Jerry Wexler for Atlantic Records. Between 1970 and 1983, the J. Geils Band released 13 influential albums, topped the pop single charts with 1981’s “Freeze Frame,” “Love Stinks,” “Centerfold,” and earned a reputation as one of rock’s most exciting live acts, thanks in large part to Wolf’s flamboyant, hyperactive stage presence.
After going solo with 1984’s Lights Out, Wolf continued to stake out new musical territory with the subsequent releases Lights Out, Come As You Are, Up to No Good, Long Line, Fool’s Parade, Sleepless and Midnight Souvenirs, and A Cure For Loneliness. His solo work has seen him collaborate with the likes of Aretha Franklin, Merle Haggard, John Lee Hooker, Mick Jagger, Keith Richards, Little Milton, Wilson Pickett, Shelby Lynne and Neko Case. Wolf temporarily reunited with his J. Geils Band cohorts for live shows on several occasions between 1999 and 2015, but his solo career has remained his creative focus, as A Cure for Loneliness makes clear.
