The Nighthawks
What sustains a band for more than three decades? Not a hit radio band, but a roll-up-your-sleeves/drive to the next gig overnight/carry your own gear up the steps and night after night make people happy kind of band. One that makes them dance; sends them home to come back again—and again. What makes that kind band stay together through relatively few personnel changes? Answer: A good idea; a universal yet somehow unique, good idea.
The Nighthawks sought not so much to reinvent rock and roll, but simply to have it reinvent itself by taking the original ingredients and following—if somewhat loosely—the original recipe. And like good cooks, the individual personalities involved ultimately affected the outcome.
The band was over 10 years old and had baffled the mainstream industry before the term “roots rock” was coined to explain the likes of West Coasters like Los Lobos and The Blasters. By then, the affiliation with many of the living blues greats seemed to brand The Nighthawks a “blues band” despite the fact that they played with Carl Perkins as well as Muddy Waters.
The Nighthawks had its genesis when lead singer-harmonica player extraordinaire Mark Wenner returned to his native Washington, D.C. after six years in New York City, lured back by the success of his friend Bobby Radcliff’s local acclaim with a blues band. Mark joined forces with a then very young Jimmy Thackery and formed The Nighthawks in 1972. They spent a couple of years building The Nighthawks’ reputation with a revolving cast of characters until, in 1974, they decided to get the best rhythm section the area had to offer: Jan Zukowski on bass and Pete Ragusa on drums.
The Nighthawks set off on a musical mystery tour that took them to 49 states and a dozen countries. They played with nearly all the living blues legends as well as a new generation of bands, sometimes called “the Blue Wave”, and released several important albums including the best-selling Jacks and Kingswith Pinetop Perkins, Luther “Guitar Junior” Johnson, Calvin Jones and Bob Margolin. (Servern Records 2017)
Could not resist the throwback video..enjoy
Jim Harrison
in memoriam
Poet and novelist Jim Harrison spent much of his life in Michigan on a farm near where he was born, as well as Montana and Arizona. His connection to rural landscapes was evident in his free-verse, imagistic poetry, which often explores human and animal drives set against an unforgiving natural world. Noting the poetry’s relation to Hemingway’s prose style in a review of Harrison’s Selected & New Poems 1961–1981, poet and critic Richard Tillinghast declared in the New York Times that “Mr. Harrison has few equals as a writer on outdoor life, the traditional heritage and proving ground of the American male.”
Harrison earned a BA and MA at Michigan State University, and he taught briefly at SUNY Stony Brook. After the publication of his first collection of poetry, Plain Song (1965), he returned to Michigan, where he worked as a freelance journalist and laborer until he began to earn a living from his writing.
Harrison published more than a dozen collections of poetry, including Livingston Suite (2005), Saving Daylight (2006), In Search of Small Gods (2009), Songs of Unreason (2011), and Dead Man’s Float (2016). He was also well known as a fiction writer, publishing numerous novels and collections. His novel Legends of the Fall (1979) received considerable critical acclaim and was made into a 1995 feature film. Harrison wrote several screenplays for Warner Bros. and other studios. He served as poetry editor of The Nation and coeditor of Sumac. He wrote a food column, “The Raw and the Cooked,” for Esquire magazine, and his collection of essays, Just Before Dark (1991), includes some of his food writing along with literary and nature essays. Harrison died in 2016.
Carl Hiaasen
Locations around Florida
Carl Hiaasen was born and raised in a bizarre place called Florida, where he still lives. His books have been described as savagely funny, riotous, and cathartic. Oddly, they are beloved even by readers who’ve never set foot in the Sunshine State.
A graduate of the University of Florida, at age 23 Hiaasen joined The Miami Herald as a city-desk reporter and went on to work for the newspaper’s weekly magazine and prize-winning investigations team.
From 1985 to 2021 he wrote an opinion column, which at one time or another thrashed just about every major politician in the state – and occasionally his own bosses. One of Hiaasen’s proudest moments came when a Miami City Commissioner who was enraged by the columns introduced a resolution officially denouncing him.
Hiaasen began writing novels in the early 1980s with his good friend and fellow journalist, the late William D. Montalbano. They collaborated on three mystery thrillers – POWDER BURN, TRAP LINE and A DEATH IN CHINA – which borrowed heavily from their reporting experiences. (From his website)
Tonio K
Tonio K. (a.k.a. Steven M. Krikorian, b. July 4, 1950) is an American singer/songwriter who has released eight critically acclaimed albums and has had original songs recorded by many of Pop, Rock, Country and R&B’s leading artists ranging from Al Green, Aaron Neville and Burt Bacharach to Bonnie Raitt, Wynonna Judd and Vanessa Williams. His song, “16 Tons Of Monkeys,” co-written with guitarist Steve Schiff, was the featured tune in the 1992 Academy Award winning Live Action Short Film, Session Man. His work with Bacharach and Hip-Hop impresario Dr. Dre won the Grammy for Best Pop Instrumental Recording in 2005.
James Lee Burke
James Lee Burke
Location – New Orleans/Iberia Parish Louisiana
James Lee Burke, a rare winner of two Edgar Awards, and named Grand Master by the Mystery Writers of America, is the New York Times bestselling author of more than thirty novels and two collections of short stories. He lives in Missoula, Montana.
Author Interview from July 2010
Mike Zito
Mike Zito
He may be one of the most lauded artists in the contemporary blues arena today, and rightfully so, but for Mike Zito, the thing that counts the most is maintaining his honesty, authenticity and integrity. Those are the qualities that have steered Zito’s career since the beginning and continue to define every effort he’s offered since.
“I have nothing to hide; it seems my honesty is what people relate to most,” he once told Vintage Guitar magazine. “Anders (Osborne) told me early on, ‘If you don’t believe what you’re singing, you’ll never be a good singer.’ I try not to write fluff; I try to make every word count.”
That point became convincingly clear with his last record 2018’s First Class Life, a collection of songs that detailed his journey from addiction to sobriety and the subsequent success he achieved through his award-winning body of work. A multiple award winner and nominee, Zito has built his career on an ability to tap into tradition while maintaining contemporary credence all at the same time.
