Kathleen Edwards
For decades, Kathleen Edwards has been a cornerstone of North American roots music.
Since making her debut with 2002’s Failer, she’s spent the 21st century occupying the grey area between genres, swirling together her own mix of alt-country, folk, and heartland rock & roll. It’s a sound that has earned its creator more than a half-dozen Juno nominations, as well as Top 40 success on both sides of the Canadian/American border. Now in her third decade as an artist, Kathleen Edwards has done more than carry the torch of songwriting heroes like Tom Petty, Neil Young, and Lucinda Williams — she’s opened the door for others, too, inspiring a new generation of artists who, like her, blur the boundaries between genre and generation.
A native of Ottawa, Ontario, Edwards was still in her early 20s when she released the critically-acclaimed Failer. The album’s warm, woozy sound — crystallized on radio hits like “Six O’Clock News” — quickly turned her into one of the era’s alt-country heroes. From the very start, though, Edwards’ music seemed to exist somewhere out of time, resisting categorization even as Failer received a Juno nomination for “Roots & Traditional Album of the Year.”
“No one knew what to call my type of music back then,” she says of those early years. “The Americana genre didn’t exist yet, so they couldn’t categorize me. I just made the kind of music I wanted to make.”
Edwards continued blazing her own trail with follow-up albums like Back to Me and Asking for Flowers. By the time Voyageur arrived in 2012, Americana very much did exist as a genre, and Edwards found herself riding a newfound commercial peak. The album reached Number 2 on the Canadian Albums Chart and Number 3 on Billboard’s Folk Albums chart. Even so, a busy decade on the road had left her exhausted. After touring in support of Voyageur’s release, Edwards left the music business altogether and moved to suburban Ontario, where she opened a coffee shop called — defiantly — “Quitters.”
“Before I turned 30, I toured the world and put out nearly four records, performed on TV, and had an incredible run,” she says of her first 10 years in the spotlight. “What’s interesting is that I walked away from all of it, too — and when I came back, I felt better than the person who put out Failer.”
By the late 2010s, Edwards felt recharged and revitalized. When a phone call arrived from Maren Morris, who was looking for songwriting partners for a new project, Edwards jumped at the chance to collaborate. The two musicians co-wrote “Good Woman,” which appeared on Morris’ Grammy-nominated album Girl in 2019. Back home in Canada, Edwards continued to write new material, eventually partnering with producer Ian Fitchuk for the album Total Freedom. Released in 2020, the album expanded her sound and her audience, boosted by two hit songs — “Options Open” and “Hard on Everyone” — that both reached the Top 30 on the Triple A chart in America. Total Freedom didn’t just mark her return to the music industry. It was a rebirth, too.
What’s next? New music, of course. She and Grammy-winner Jim Scott co-produced and released an album called Covers, which pays homage to some of her songwriting heroes – Tom Petty, REM, John Prine, Bruce Springsteen, et al. Edwards remains a fan of “ripping guitar riffs and good songs,” and she’s combining both into a follow-up album co-produced by Grammy-winners Jason Isbell and Gena Johnson that will showcase her legacy as well as her evolution.
She maintains a presence on the road, too, playing her own gigs one minute and sharing shows with her heroes — including Willie Nelson, John Fogerty, and Bob Dylan — the next.
“The amount of things I’ve gone through might make someone else quit…but quitting doesn’t quite do it for me,” she says. “I can’t help but want to write great songs, connect with people, and see what’s ahead. I don’t love looking behind, even though it’s one of the ways we can see what we’ve done, so I’m looking forward.” from High Road Touring bio
In keeping with her love of dogs and the great photo used on this post…give a listen to “Who Rescued Who”
2025 – new record out now “Billionaire”
Brian Freeman
Brian Freeman is a prominent American author renowned for his gripping psychological thrillers and suspense novels, which have achieved international success. With a career spanning over two decades, Freeman has established himself as a master of suspense, characterized by complex, deeply emotional character development and fast-paced, twist-filled narratives. His work, which frequently explores the dark, hidden motives behind human behavior, has earned him a place as a New York Times and USA Today bestselling author.
Born on March 28, 1963, in Chicago, Illinois, Freeman displayed a love for writing from a young age, influenced by an eighth-grade teacher who recognized his talent. He graduated with distinction from Carleton College in 1984. Before transitioning to a full-time writing career in 2005, Freeman worked as the director of marketing and public relations at the Minneapolis law firm Faegre & Benson. This background in corporate communication provided a foundation for his disciplined approach to writing and self-promotion.
The exciting thing about including Brian Freeman in Roaming the Arts is that the site’s founder began his reading passion with Robert Ludlum and his characters created in the 1970’s. The beginning of that came via Ludlum writing under the pen name Jonathan Ryder.
Freeman made his literary debut in 2005 with the thriller Immoral. The novel was an immediate success, garnering critical acclaim as an Edgar Award finalist for Best First Novel and winning the Macavity Award.
His writing style is often described as “psychological suspense” that delves into the “hidden intimate motives that draw people across some terrible lines”. He focuses on creating realistic characters, shunning the “all good or all bad” trope in favor of the moral “shades of gray”. His books are known for their “you are there” settings, often featuring the cold, atmospheric backdrop of Minnesota, particularly Duluth.
Freeman’s work has been honored multiple times by the thriller community. Spilled Blood won the Best Hardcover Novel award from the International Thriller Writers. His debut, Immoral, was a nominee for the Dagger, Edgar, Anthony, and Barry awards. He is also a multiple-time winner of the Minnesota Book Award.
Rodney Crowell
Born in 1950 in Houston, Texas, Rodney Crowell has built a career as one of the most significant figures in the evolution of Americana music. Raised in a musical household where his father led a honky-tonk band, Crowell began playing drums in that group at age 11. His journey took him to Nashville in 1972, where he befriended a circle of legendary songwriters, including Guy Clark and Townes Van Zandt. This early period was formative, as Crowell absorbed the craft of songwriting with a literary and poetic lens that would define his life’s work. His talent was quickly recognized by Emmylou Harris, who recorded his song “Bluebird Wine” and invited him to join her famous Hot Band as a guitarist and harmony singer in 1975.
During the late 1970s and early 1980s, Crowell established himself as a premier songwriter for other artists. His compositions reached the top of the charts via icons like Johnny Cash, Waylon Jennings, and Bob Seger, whose recording of Crowell’s “Shame on the Moon” became a massive pop and country success. Crowell also served as a producer, notably for his then-wife Rosanne Cash, helping to shape the sound of neo-traditionalist country music. However, it was his 1988 solo album, Diamonds & Dirt, that made him a superstar in his own right. The album achieved the unprecedented feat of producing five consecutive #1 country singles, including “After All This Time,” which won him his first Grammy for Best Country Song.
As the 1990s progressed, Crowell consciously moved away from the mainstream country machine to pursue more personal and autobiographical projects. This shift began in earnest with the 2001 release of The Houston Kid, a semi-autobiographical collection that explored his childhood and roots with stark honesty. This record, along with follow-ups like Fate’s Right Hand and The Outsider, is regarded by critics and Crowell himself as some of his most vital work. His literary prowess eventually extended to the page with his acclaimed memoir, Chinaberry Sidewalks, published in 2011.
Crowell’s later career has been marked by high-profile collaborations and continued innovation. He reunited with Emmylou Harris for the 2013 album Old Yellow Moon, which earned another Grammy for Best Americana Album. He has remained remarkably prolific well into his 70s, releasing projects like the Jeff Tweedy-produced The Chicago Sessions (2023) and his 20th studio album, Airline Highway (2025), which features contributions from younger artists like Ashley McBryde and Lukas Nelson. Inducted into the Nashville Songwriters Hall of Fame and recipient of the Americana Music Association’s Lifetime Achievement Award, Crowell is celebrated as a “songwriter’s songwriter” whose influence spans over five decades of American roots music.
Alison Krauss & Union Station
Alison Krauss is nearly too well known to be featured here but the bluegrass world is not necessarily familiar to music fans in general. She is a highly acclaimed American bluegrass-country singer, fiddler, and music producer. A child prodigy who began studying classical violin at age five, she shifted to bluegrass and was winning fiddle championships by her teens. Krauss signed with Rounder Records at age 14 and released her debut solo album, Too Late to Cry, in 1987. Soon after, she joined the band Union Station, beginning a collaboration that has spanned decades and numerous albums, including the recent 2025 release Arcadia.
Krauss’s delicate, crystalline soprano voice and virtuosic fiddle playing have made her one of the most celebrated artists in roots music. Her work was instrumental in revitalizing interest in American roots music, is particularly with her contributions to the hugely successful 2000 film soundtrack for O Brother, Where Art Thou?. The album sold millions of copies and introduced bluegrass to a wide, mainstream audience.
Beyond her work with Union Station, Krauss is known for her successful collaborations. Her 2007 album Raising Sand with Led Zeppelin’s Robert Plant was a critical and commercial smash, winning the Grammy for Album of the Year in 2009. The duo reunited for a follow-up album, Raise the Roof, in 2021.
A record-setting Grammy winner, Krauss has amassed an impressive 27 awards throughout her career, making her the second most-awarded female artist in history. In recognition of her immense contributions to American music, she was also awarded the National Medal of Arts in 2019 and was inducted into the International Bluegrass Music Hall of Fame in 2021. Her legacy is defined by her ability to effortlessly bridge the gap between traditional roots music and a broader contemporary sound.
Her featured guest musician on tour is another RTA favorite – see Jerry Douglas
Christone Kingfish Ingram
“Kingfish”
Christone “Kingfish” Ingram is a Grammy Award-winning blues guitarist and singer from Clarksdale, Mississippi, who is celebrated for reinvigorating the blues for a new generation. He began his musical journey at the Delta Blues Museum, mastering multiple instruments as a child before focusing on the guitar. Blending traditional Delta and Chicago blues with modern blues-rock, soul, and gospel, his music captivates audiences with its passion and technical skill.
Ingram quickly rose to prominence as a teenager, garnering millions of views for his YouTube performances, appearing in the Netflix series Luke Cage, and performing at the White House. His 2019 debut album, Kingfish, earned a Grammy nomination and shot to the top of the Billboard Blues Chart. His 2021 follow-up, 662—named for his Mississippi Delta area code—secured a Grammy Award for Best Contemporary Blues Album. His live performances are also critically acclaimed, with NPR noting he is “even scarier live”.
A prolific artist, Ingram has performed alongside musical legends like Buddy Guy, who has called him “the next explosion of the blues,” and even opened for The Rolling Stones. In 2024, Ingram launched his own label, Red Zero Records, and released his studio album, Hard Road. As a multi-instrumentalist with a powerful voice, Ingram continues to push the boundaries of the genre while honoring its rich history.
World Class Rock with Cerphe
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