Neal Francis
Neal Francis
“The reincarnation of Allen Toussaint.” Craig Charles, BBC Radio 6
“Think New Orleans meets the Midwest with a little bit of California sun shining in the background.” -TwinCitiesMedia.net
“There’s a good chance you’ll have heard of Francis by the time the year is over…classic Funk, Soul and R&B.” Cincinnati CityBeat
“…gleefully mired In 70s style funk.” – NPR
“Soulful style…uplifting vibe…” – Dusty Groove
“Instant Americana-funk classic…R&B, blues and touches of gospel and good old fashioned funk merge into pure beauty and soul here, making the appetite and excitement for whatever Francis does next all the more intense.” – Record Crates United
Lucinda Williams
Three-time Grammy Award winner, Lucinda Williams has been carving her own path for more than three decades now. Born in Lake Charles, Louisiana, Williams had been imbued with a “culturally rich, economically poor” worldview. Several years of playing the hardscrabble clubs gave her a solid enough footing to record a self-titled album that would become a touchstone for the embryonic Americana movement – helping launch a thousand musical ships along the way.
While not a huge commercial success at the time Lucinda Williams (aka, the Rough Trade album) retained a cult reputation, and finally got the reception it deserved upon its reissue in 2014. Jim Farber of New York’s Daily News hailed the reissue by saying “Listening again proves it to be that rarest of beasts: a perfect work. There’s not a chord, lyric, beat or inflection that doesn’t pull at the heart or make it soar.”
For much of the next decade, Williams moved around the country, stopping in Austin, Los Angeles, Nashville, and turning out work that won immense respect within the industry (winning a Grammy for Mary Chapin Carpenter’s version of “Passionate Kisses”) and a gradually growing cult audience. While her recorded output was sparse for a time, the work that emerged was invariably hailed for its indelible impressionism — like 1998’s Car Wheels on a Gravel Road, which notched her first Grammy as a performer.
The past decade brought further development, both musically and personally, evidenced on albums like West (2007), which All Music Guide called “flawless…destined to become a classic” and Blessed (2011), which the Los Angeles Times dubbed “a dynamic, human, album, one that’s easy to fall in love with.” Those albums retained much of Williams’ trademark melancholy and southern Gothic starkness, but also exuded more rays of light and hope. This all lead to the 2014 release of Williams’ first double studio album Down Where The Spirit Meets The Bone. The album received overwhelming praise from the media and fans, thus proving that Williams’ songwriting is as strong and important as it has ever been.
Wallace Stroby
Wallace Stroby
Wallace Stroby is an award-winning journalist and the author of eight novels, four of which feature professional thief Crissa Stone, whom Kirkus Reviews named “Crime fiction’s best bad girl ever.”
A Long Branch, N.J., native, he’s a lifelong resident of the Jersey Shore. His debut novel THE BARBED-WIRE KISS, which The Washington Post called “a scorching first novel …full of attention to character and memory and, even more, to the neighborhoods of New Jersey,” was a finalist for the 2004 Barry Award for Best First Novel.
His 2010 novel GONE ‘TIL NOVEMBER was picked as a Kirkus Best Book of the Year, as was the second Crissa Stone novel KINGS OF MIDNIGHT. In 2012, the Crissa Stone novels were optioned by Showtime Networks for development.
A graduate of Rutgers University, Stroby was an editor at the Star-Ledger of Newark, Tony Soprano’s hometown newspaper, for 13 years.
Ballroom Thieves
“A rock band in a folk suit,” The Ballroom Thieves
Calin “Callie” Peters (vocals, cello, bass), Martin Earley (vocals, guitar), and Devin Mauch (vocals, percussion) – released their third album Unlovely on February 14, 2020. With subject matters ranging from female empowerment, to love in a committed relationship, to their fury about the current state of American leadership, this collection of tracks is the distillation of the band’s personal and political passions. Songs like “Vanity Trip” and title track “Unlovely” boil over with exasperation and disgust, in protest of today’s status quo. As the first album entirely co-written by Peters and Earley, Unlovely is also a tangible reflection of their evolution from band members to life partners, as heard in songs like “Love Is Easy.”
Incorporating musical styles that range from Motown to classic rock, Unlovely maintains the recognizable, nostalgia-tinged sound of The Ballroom Thieves’ previous outputs while pushing a heightened brashness. Since the release of their first EP and debut full-length, A Wolf in the Doorway, The Ballroom Thieves have consistently and skillfully crossed genres, joining artists like CAAMP, Langhorne Slim and Shakey Graves to bridge the gap between folk, rock, and soul. It’s their unique brand of powerful and harmonious music, while never shying away from topics and ideas they are passionate about, that has charmed fans around the country, while gaining a loyal live following and selling out shows. (Nettwerk Music Group)
(Big) Al Anderson
Al Anderson
Listed as one of the top 100 guitar players of the 20th century by Musician Magazine and with over 900 cuts internationally, Big Al’s music career was destined. Raised by his piano teacher mother and a radio that would get WWVA in Wheeling West Virginia late at night, he would devour all genres of music from Hank Williams, The Everly Brothers, The Ventures, Chet Atkins, Elvis, Little Richard, Ray Charles, Motown and Stax paving the way for what would be a giant life in music.
NRBQ years
His first band “The Sixpacks” became “The Wildweeds,” recording a regional hit “No Good To Cry” that went on to chart nationally. With a change in record labels (from Chess to Vanguard) and a change in musical direction, Al caught the attention of the members of NRBQ. In 1971, Al left Connecticut for New York’s to enroll at the “University of Q” — a 22 year planetary course in all things musical. Al’s exposure to a evener wider range of musical genres served him well in the “Q.” His mind and string-bending guitar playing coupled with his giant stage presence had become legendary, and in the course of recording over a dozen albums with them, he had written some of the band’s most memorable songs — ‘Ridin in My Car’, ‘Never Take The Place of You,’ It Was An Accident,’ ‘Comes to Me Naturally,’ ‘What a Nice Way to Go,’ ‘Feel You around Me,’ and many more.
After over two decades of hard touring, hard living and encyclopedic musical knowledge, Al was ready to change his already prodigious song writing talent into a full-time venture.
Two years before he left NRBQ, he wrote a song with Carlene Carter, “Every Little Thing” that she took to top 5 all over the world. That song, and meeting music publisher Pat Daniel McMurry (Escott), were the turning points in Al’s career and life. With the support, guidance and belief that Pat provided, Al became unstoppable. At the same time that Al signed with Pat, he decided to quit drinking and suddenly became one of the most prolific writers in Nashville. “I went from 3 songs a year to writing sometimes 3 a day”.
The parade of hits is long and include singles and cuts by Vince Gill, Bonnie Raitt, Trisha Yearwood, Jimmy Buffett, Martina McBride, Patty Loveless, George Jones, Sheryl Crow, Leann Rimes, Tim McGraw, George Strait, Rascall Flatts, Zac Brown, Anthony Hamilton, Harry Connick Jr and many others.
He latest love is Music City’s premier rock band “The World Famous Headliners” rounded out with top tier penmen/artists/musicians extraordinaire Pat McLaughlin, Shawn Camp, Michael Rhodes and Greg Morrow
Jeff Abbott
Jeff Abbott
is the New York Times bestselling, award-winning author of many mystery and suspense novels. He has been called “one of the best thriller writers in the business” (Washington Post). His novels have been called “compulsively readable” (Chicago Sun Times), “outstanding. . .genuinely moving” and “fresh, original… intricately woven” (Publishers Weekly), “nail-bitingly suspenseful and totally original” (Irish Independent), and “extremely compelling” (Associated Press). He is published in many languages and has been a bestseller in the US, the UK, Ireland, France, Germany, Australia, Portugal, and other countries.
