Graham Parker
is an English singer-songwriter, who is best known as the lead singer of the British band Graham Parker & the Rumour. Wikipedia
His long career includes reforming the band and heading out on tour during the last several years. Check out his website for up to date information.

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Steve Forbert
Steve Forbert
Samuel Stephen “Steve” Forbert is an American pop music singer-songwriter. Bob Harris of BBC Radio 2 said Forbert has “One of the most distinctive voices anywhere.” His 1979 song “Romeo’s Tune” reached No. 11 on the U.S. Billboard Hot 100 and No. 13 on Billboard’s Adult Contemporary Chart. Wikipedia
2020 release – Early Morning Rain — In Steve’s own words:
“For the past few years things have been extremely hectic–nonstop issues and distractions. Now we’re trying to cope with a full-on pandemic – the very kind of contagious thing we studied back in history class! My new record is my idea of rather a “breather”. I’ve released 20 studio albums of original material by now and I’m taking my time writing more songs…but this EARLY MORNING RAIN “cover” album is a what you might call an “easy assignment” for Americana/folk music fans. You don’t have to study new chapters here, just enjoy these renditions of songs you already know and probably love!”
Still prolific Steve has a 2022 and 2023 release. Check out Moving Through America and Streets of this Town – Revisited
For more video variety vist Steve Forbert on social media.
And check out his book:
Big City Cat: My Life in Folk Rock
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Tedeschi Trucks Band
Go back to December 31, 2008 when guitarist Derek Trucks and his wife, singer/guitarist Susan Tedeschi, were preparing to ring in the New Year. Married since 1999, these two soulmates, equally steeped in the musical roots of blues, jazz, and gospel, had finally decided the time was right to set aside their successful solo careers and commit to a new band melding their vision and talent. It wasn’t the first time they had collaborated; they had shared a stage countless times and traded album guest appearances, all while starting a family together. But on that night, hitting the stage together with members of the Derek Trucks Band and a guest horn section they heard the future.
“The 12-piece outfit puts out a big band sound that still rings intimate, shaking listeners to their emotional core.” – Rolling Stone
Two years later, the couple debuted Tedeschi Trucks Band. The nation’s economy was heading into recession. The popular music landscape was filled with technological theatrics and auto-tuned singers. And here were Tedeschi and Trucks along with their (then) 8-member band, loading up two tour buses and hitting the road with a sound that defied conventional genre boundaries or traditional labels; a gypsy caravan on the rock-and-roll highway. To call it ambitious was an understatement.
During their five-year rise, the group toured incessantly, raising their profile and being handpicked to play with the likes of Eric Clapton, Bob Dylan, and Santana
In pursuit of their ideal sound driven by world class musicianship, Tedeschi and Trucks put together a musical collaborative like no other, flying in the face of any practical or economic considerations. There have been evolutionary changes to the band along the way, but the freight-train force of veteran drummers J.J. Johnson and Tyler Greenwell were there from the start, along with two brilliant Trucks Band veterans to amplify the rhythm section: Kofi Burbridge with his prodigious talent on keys and flute, and Mike Mattison, with his dynamic vocals and songwriting skills. A 3-piece horn section brought on for studio work proved indispensable to the group’s sound and became a permanent addition – now composed of Kebbi Williams’ intergalactic saxophone, Ephraim Owens on trumpet and Elizabeth Lea on trombone. Industry-renowned bassist Tim Lefebvre (David Bowie, Elvis Costello, Sting) joined in 2013, and two years later a third incredible voice, Alecia Chakour, was added to the background vocals provided by Mark Rivers and Mattison; each more than capable of delivering a stirring turn as a lead vocalist.
On the road for upwards of 200 days a year, the TTB family has grown strong, bonding over backyard BBQs and long bus rides, all the while developing a growing repertoire of original material and paying homage to an extensive canon of influences ranging from Sly & the Family Stone, Miles Davis and George Jones to Joe Cocker, Nina Simone, and even Indian sarod master Ali Akbar Khan. Embracing improvisation over convention, and set lists rarely repeated, the collective is adept at exploring almost any musical territory. The genuine respect within its ranks is evident on stage. Trucks’ masterful guitar skills and Tedeschi’s soaring vocals and bluesy guitar shine but don’t overpower the breadth of talent, happily yielding the spotlight as needed in service of what the song deserves.
“I saw them live and it was mind blowing. [Derek] has taken the guitar, specifically slide guitar, somewhere it has never been. His phrasing both with and without slide is uniquely his and just odd and jarring and exciting to listen to. [Susan] is an earnest blues player as well and her voice is astounding. The band was mind-blowing. They take a form that is arguably tired and turn it inside out with originality and musicianship and make it totally their own.” – Marc Maron
Trucks and Tedeschi’s uncompromising vision has paid off. Now 12-members strong, and with a catalog of five albums and nearly a decade of steady touring in the U.S. and abroad, Tedeschi Trucks Band carries a distinguished reputation earned from both audiences and critics as one of the premier live bands in the world. Sold-out multi-night runs at venerable venues like the Beacon Theatre, Ryman Auditorium and Red Rocks Amphitheater are a testament to the can’t-miss concert experience fans have come to anticipate. The band’s own “Wheels of Soul” tour has become a sought-after summer experience from promoters across the country, bringing TTB’s unique stew of upbeat rock and soul together on stage with a slew of guests, sit ins, and supporting bands that have included the late Sharon Jones, Los Lobos and most recently The Wood Brothers and Hot Tuna. 2018 will also mark the sixth year for the TTB-curated Sunshine Music Festival, hosted each January in their home state of Florida.
“Epic is an overused word, but if one contemporary rock band were to rightfully wear it, the Tedeschi Trucks Band might be the ones.” – Santa Barbara Independent
TTB’s most recent CD/film release, Live From The Fox Oakland (2017) was nominated for a Grammy and follows a quartet of critically-hailed and commercially successful albums, including the Grammy-winning debut, Revelator (2011) and Let Me Get By (2016), called “one of the great records of the year” by the Associated Press. The film documents the progress the band has made since its inception, while also showcasing its endless potential to bring out the best in each other every night in any musical direction they choose. It’s clear that the leaders have no intention of slowing down now. As Trucks remarked to Mark Maron on his WTF podcast featured in the film, “I haven’t found this band’s ceiling yet.” For Tedeschi Trucks Band, there may not be one.
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Dawes
Dawes is an American folk-rock band that has spent the last decade and a half serving as the primary torchbearers for the “Laurel Canyon sound.” Formed in Los Angeles in 2009 following the dissolution of the post-punk band Simon Dawes, the group transitioned into a more organic, roots-oriented aesthetic. Led by brothers Taylor and Griffin Goldsmith, the band quickly established itself as a critical darling, blending the poetic introspection of 1970s singer-songwriters with the muscular, live-performance energy of a seasoned rock ensemble. Their music is often described as timeless, evoking the ghost of Jackson Browne, the harmonies of Crosby, Stills, and Nash, and the gritty guitar sensibilities of Neil Young.At the heart of the band’s identity is Taylor Goldsmith’s songwriting. He is widely regarded as one of his generation’s most gifted lyricists, possessing an uncanny ability to spin conversational phrases into profound existential observations. His songs often function as short stories, populated by characters grappling with the passage of time, the nuances of modern love, and the quiet tragedies of everyday life. This narrative depth is anchored by his brother Griffin’s drumming, which is characterized by a melodic, soulful touch that provides the band’s rhythmic backbone. Together, their sibling chemistry creates a telepathic musical foundation that has remained the group’s constant through various lineup changes.The band’s discography serves as a chronicle of their evolution from retro-leaning folk-rockers to sophisticated studio craftsmen. Their debut album, North Hills, was recorded live to analog tape, capturing a warm, hazy atmosphere that felt like a rediscovered relic from 1971. As they progressed through albums like Nothing Is Wrong and Stories Don’t End, their sound expanded to include more polished production and adventurous arrangements. However, they never lost the “live in a room” feel that makes their records feel intimate and authentic. By the time they reached All Your Favorite Bands, they had solidified their status as a premiere live act, known for extended jams and a rotating setlist that rewards a dedicated, cult-like following.In recent years, Dawes has navigated a significant transition. After the departure of long-time members Wylie Gelber and Lee Pardini, the Goldsmith brothers decided to continue as a duo, a move reflected in their ninth studio album, Oh Brother (2024). This latest era emphasizes the raw connection between the two siblings, stripping back some of the auxiliary instrumentation to focus on the interplay between Taylor’s guitar and Griffin’s percussion. Despite the smaller core membership, the band continues to tour with a robust live lineup, maintaining their reputation for high-energy performances that bridge the gap between indie-folk and classic stadium rock.Ultimately, Dawes occupies a unique space in the modern musical landscape. They are a band’s band, frequently invited to back legendary artists like Jackson Browne, Robbie Robertson, and Elvis Costello. They have avoided the fleeting trends of the digital age, opting instead for a career built on craftsmanship, touring, and a deep respect for the tradition of American songwriting. For their fans, a Dawes song is more than just a melody; it is a mirror reflecting the complexities of growing up and growing older in an ever-changing world.Dawes-FB page
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