Jon Carroll
Jon Carroll
At age 18, Jon Carroll was a founding member of Starland Vocal Band, recording the #1 Pop hit “AFTERNOON DELIGHT”. (click to watch video)
The group went on to be nominated for 5 Grammy Awards, winning 2: for Best New Artist & Best Arrangement for Voices (One of Jon’s roles in the group).
Since then, he’s has not slowed down as a performer, composer, arranger, producer, songwriter and musician. His works have appeared in films, commercials and episodic dramas and comedies, and he is highly sought after studio session performer appearing on many recordings.
His songs have been covered by artists such as Linda Ronstadt (Her 80’s hit “Want Love? Get Closer!), Tom Jones and Kenny Rogers, and he’s the long-time keyboardist/vocalist band member with Mary Chapin Carpenter, with touring stints for countless others including Rodney Crowell, Dixie Chicks, Peter Wolf and Eric Lindell.
“Jon Carroll is a one man band, a poet, a songwriter, a singer of every kind of song and above all, a musician’s musician…and I can also attest to his being a not-to-be-missed performer.”
~Mary Chapin Carpenter
Jim Harrison
in memoriam
Poet and novelist Jim Harrison spent much of his life in Michigan on a farm near where he was born, as well as Montana and Arizona. His connection to rural landscapes was evident in his free-verse, imagistic poetry, which often explores human and animal drives set against an unforgiving natural world. Noting the poetry’s relation to Hemingway’s prose style in a review of Harrison’s Selected & New Poems 1961–1981, poet and critic Richard Tillinghast declared in the New York Times that “Mr. Harrison has few equals as a writer on outdoor life, the traditional heritage and proving ground of the American male.”
Harrison earned a BA and MA at Michigan State University, and he taught briefly at SUNY Stony Brook. After the publication of his first collection of poetry, Plain Song (1965), he returned to Michigan, where he worked as a freelance journalist and laborer until he began to earn a living from his writing.
Harrison published more than a dozen collections of poetry, including Livingston Suite (2005), Saving Daylight (2006), In Search of Small Gods (2009), Songs of Unreason (2011), and Dead Man’s Float (2016). He was also well known as a fiction writer, publishing numerous novels and collections. His novel Legends of the Fall (1979) received considerable critical acclaim and was made into a 1995 feature film. Harrison wrote several screenplays for Warner Bros. and other studios. He served as poetry editor of The Nation and coeditor of Sumac. He wrote a food column, “The Raw and the Cooked,” for Esquire magazine, and his collection of essays, Just Before Dark (1991), includes some of his food writing along with literary and nature essays. Harrison died in 2016.
Shelby Lynne
Shelby Lynne
Shelby Lynne is an American singer and songwriter and the older sister of Allison Moorer. The success of her pop rock album I Am Shelby Lynne led to her winning the Grammy Award for Best New Artist. She released a Dusty Springfield tribute album called Just a Little Lovin’ in 2008. Wikipedia
2017 Recording with sister Allison Moorer – Not Dark Yet
I’m With Her (Sarah Jarosz – Aoife O’Donovan – Sara Watkins)
I’m With Her – three talents, indivdually and collectively…
I’m With Her is a band rooted in a rare alchemy: three celebrated songwriters coming together to create music that reveals entirely new possibilities in their distinct and deep-seated talents. Since forming in 2014, Sara Watkins, Sarah Jarosz, and Aoife O’Donovan ,(also of Crooked Still) have imbued their songs with a sharply detailed lyricism, graceful musicianship, and—perhaps most powerfully—mesmerizing harmonies that endlessly reflect their extraordinary chemistry.
Check out their performance: NPR Tiny Desk Concert
P.J. Tracy
Location – Minneapolis
P. J. Tracy is a pseudonym for American mother-daughter writing team Patricia and Traci Lambrecht, winners of the Anthony, Barry, Gumshoe, and Minnesota Book Awards. Their nine novels include Monkeewrench, Live Bait, Dead Run, Snow Blind, Shoot to Thrill, and Off the Grid. Wikipedia
Sadly, Patricia passed away in December 2016, however, fortunate for fans, Traci has continued the series which continues to delight her readers. Be sure to read Traci’s reflections on her mom, included on the website.
Don Winslow
Don Winslow
An author with an impact and a message – see Don Winslow Films
April 2022 – The start of a new trilogy – City on Fire
April 2023 – City of Dreams
“Epic, ambitious, majestic, City on Fire is The Godfather for our generation.” – Adrian McKinty, New York Times bestselling author of The Chain
Two criminal empires together control all of New England.
Until a beautiful woman comes between the Irish and the Italians, launching a war that will see them kill each other, destroy an alliance, and set a city on fire.
Danny Ryan yearns for a more “legit” life and a place in the sun. But as the bloody conflict stacks body on body and brother turns against brother, Danny has to rise above himself. To save the friends he loves like family and the family he has sworn to protect, he becomes a leader, a ruthless strategist, and a master of a treacherous game in which the winners live and the losers die.
From the gritty streets of Providence to the glittering screens of Hollywood to the golden casinos of Las Vegas, two rival crime families ignite a war that will leave only one standing. The winner will forge a dynasty.
Exploring the classic themes of loyalty, betrayal, and honor, City on Fire is a contemporary masterpiece in the tradition of The Godfather, Casino, and Goodfellas—a thrilling saga from Don Winslow, “America’s greatest living crime writer” (Jon Land, Providence Journal).
A most unusual review – #BooksWithWallace
2020 release, “Broken.”
In six intense short novels connected by the themes of crime, corruption, vengeance, justice, loss, betrayal, guilt and redemption, Broken is #1 international bestseller Don Winslow at his nerve-shattering, heart-stopping, heartbreaking best. In Broken, he creates a world of high-level thieves and low-life crooks, obsessed cops struggling with life on and off the job, private detectives, dope dealers, bounty hunters and fugitives, the lost souls driving without headlights through the dark night on the American criminal highway.
With his trademark blend of insight, humanity, humor, action and the highest level of literary craftsmanship, Winslow delivers a collection of tales that will become classics of crime fiction.
The Trilogy
Of all the blows delivered by Don Winslow’s Cartel trilogy, none may be as devastating as the timing of “The Border,” its stunner of a conclusion. Though Winslow cannot have engineered all of this 14 years ago when he started this series, his sweeping new novel concerns subjects that put it right on the culture’s front burner: the Mexican-American border, the handling of migrant children, the opioid crisis and some barely fictionalized claims about how foreign money has bought influence at the highest level of the U.S. government.
The book’s title, “The Border,” refers to both physical and moral barriers. Winslow is well aware that both that and its cover image, which depicts a razor-wire-topped wall spreading across a desert landscape, are politically loaded. “Loaded phrases, like loaded guns, are more interesting, aren’t they?” Winslow said to Entertainment Weekly in September. As for the book’s depiction of fiercely partisan American politics, including its treatment of characters who are unmistakable versions of the current president and his son-in-law: “I know this book is going to make some people angry. I can live with that.”
Even though the first installment of this trilogy was named “The Power of the Dog,” after a biblical intimation of evil (“Deliver my soul from the sword; my love from the power of the dog,” Psalms 22:20), it only hinted at the magnitude and ferocity of what was to come. That opening novel now looks like the series’ relatively innocent prologue — and it is as blade-sharp, violent, pulse-quickening and reportorially shocking as the pinnacle of some lesser series might be.
“The Power of the Dog” is, in brief, about the first decades that bind the destinies of Art Keller, a Vietnam veteran and later D.E.A. agent, and Adán Barrera, a young Mexican who will go on to achieve the most dizzying heights of power. The book begins in a burning Mexican poppy field in 1975 (“Only in hell, Art Keller thinks, do flowers bloom fire”) and leaves Keller among more poppies in 2004. Many unspeakable acts happen in between, melding the personal with the political (Iran-contra). It is all rendered unputdownable by Winslow’s unrivaled skill at his game.
