Jon Cleary
Jon Cleary’s love and affinity for New Orleans music goes back to the rural British village of Cranbrook, Kent, where he was raised in a musical family. Cleary’s maternal grandparents performed in London in the 1940s, under the respective stage names Sweet Dolly Daydream and Frank Neville, The Little Fellow With The Educated Feet – she as a singer, and he as a crooner and tap dancer.
As a teen Cleary grew increasingly interested in funk-infused music and discovered that three such songs that he particularly admired – LaBelle’s “Lady Marmalade,” Robert Palmer’s version of “Sneakin’ Sally Through the Alley,” and Frankie Miller’s rendition of “Brickyard Blues” – were attributed to Allen Toussaint as either the songwriter, the producer, or both. Cleary’s knowledge of Toussaint’s work expanded significantly when his uncle returned home to the U.K., after a two-year sojourn in New Orleans, with a copy of a Toussaint LP and two suitcases full of New Orleans R&B 45s.
In 1981 Cleary flew to New Orleans for an initial pilgrimage and took a cab straight from the airport to the Maple Leaf Bar, a storied venue which then featured such great blues-rooted eclectic pianists as Roosevelt Sykes and James Booker. Cleary first worked at the Maple Leaf as a painter, but soon graduated to playing piano there – even though his first instrument was the guitar, which he still plays and has recently reintroduced into his live performances.
As word of Cleary’s burgeoning talent began to spread around town, he was hired by such New Orleans R&B legends as Snooks Eaglin, Earl “Trick Bag” King, Johnny Adams, and Jessie “Ooh Poo Pah Doo” Hill, while also gaining the respect of the great Crescent City pianists Dr. John and the late Allen Toussaint. Years later, in 2012, Cleary recorded a critically acclaimed album of all-Toussaint songs entitled Occapella.
Today, Cleary’s work pays obvious homage to the classic Crescent City keyboard repertoire created by such icons as Jelly Roll Morton, Fats Domino, Professor Longhair, Art Neville, Dr. John, and James Booker – while also using it as a launching pad for a style that incorporates such other diverse influences as ’70s soul and R&B, gospel music, funk, Afro-Caribbean and Afro-Cuban rhythms, and much more.
Deciding to stay in New Orleans, Cleary recorded his first album of nine, to date, in 1989. His ever-elevating profile led to global touring work in the bands of Taj Mahal, John Scofield, Dr. John, and Bonnie Raitt. Cleary has led his own group, the Absolute Monster Gentlemen, for over two decades now, but he still collaborates frequently with these old friends. At the 2018 New Orleans Jazz & Heritage Festival, for instance, Cleary performed alongside Raitt in a heartfelt tribute to Fats Domino.
Mike Zito
Mike Zito
He may be one of the most lauded artists in the contemporary blues arena today, and rightfully so, but for Mike Zito, the thing that counts the most is maintaining his honesty, authenticity and integrity. Those are the qualities that have steered Zito’s career since the beginning and continue to define every effort he’s offered since.
“I have nothing to hide; it seems my honesty is what people relate to most,” he once told Vintage Guitar magazine. “Anders (Osborne) told me early on, ‘If you don’t believe what you’re singing, you’ll never be a good singer.’ I try not to write fluff; I try to make every word count.”
That point became convincingly clear with his last record 2018’s First Class Life, a collection of songs that detailed his journey from addiction to sobriety and the subsequent success he achieved through his award-winning body of work. A multiple award winner and nominee, Zito has built his career on an ability to tap into tradition while maintaining contemporary credence all at the same time.
Irwin Finger
Irwin Finger
As Roaming the Arts followers may have already guessed, I support artists both known and overlooked. RTA especially supports artists seen or known from personal connections. Irwin Finger has delighted folk audiences for over fifty years. Most recently he has performed a “live song” every morning for all of us cranky shut-ins.
Along that line and the recent passing of John Prine check out his sweet rendition of “Hello in There.”
Danny O’Keefe
Danny O’Keefe
In the 1970’s, Danny O’Keefe put out a string of albums that cemented his reputation as being among the best songwriters of his generation. These days, casual fans know him best for his Top Ten hit “Good Time Charlie’s Got The Blues” or Jackson Browne’s version of “The Road” from the classic Running On Empty album. But the story didn’t end in the 70’s. He recorded “The Day To Day” in 1985 with the two Top Twenty Adult Contemporary songs “Along For The Ride” and “Someday”. Working with Bob Dylan’s company, Special Rider Music, he co-wrote “Well, Well, Well” with Bob and other songs successfully recorded by artists like Nickel Creek, Alison Krauss, and Alan Jackson.
Carl Hiaasen
Locations around Florida
Carl Hiaasen was born and raised in a bizarre place called Florida, where he still lives. His books have been described as savagely funny, riotous, and cathartic. Oddly, they are beloved even by readers who’ve never set foot in the Sunshine State.
A graduate of the University of Florida, at age 23 Hiaasen joined The Miami Herald as a city-desk reporter and went on to work for the newspaper’s weekly magazine and prize-winning investigations team.
From 1985 to 2021 he wrote an opinion column, which at one time or another thrashed just about every major politician in the state – and occasionally his own bosses. One of Hiaasen’s proudest moments came when a Miami City Commissioner who was enraged by the columns introduced a resolution officially denouncing him.
Hiaasen began writing novels in the early 1980s with his good friend and fellow journalist, the late William D. Montalbano. They collaborated on three mystery thrillers – POWDER BURN, TRAP LINE and A DEATH IN CHINA – which borrowed heavily from their reporting experiences. (From his website)
John Hiatt
John Robert Hiatt is an American singer-songwriter and musician. He has played a variety of musical styles on his albums, including new wave, blues, and country. Hiatt has been nominated for nine Grammy Awards and has been awarded a variety of other distinctions in the music industry.
COUNTRY MUSIC HALL OF FAME® AND MUSEUM TO FEATURE JOHN HIATT AS NEXT POETS AND PROPHETS HONOREE
NASHVILLE, Tenn. – July 9, 2024 – The Country Music Hall of Fame® and Museum will feature singer-songwriter John Hiatt in the next installment of its in-depth interview series Poets and Prophets. The series features songwriters who have made significant contributions to country music. The program will take place on Saturday, Aug. 10, at 2:30 p.m. in the museum’s Ford Theater and is included with museum admission.
Throughout his 50-year recording career, Hiatt has established himself as one of the most acclaimed singer-songwriters of his generation, as well as a hit composer for country and rock artists alike. Bob Dylan, Bruce Springsteen and Country Music Hall of Fame members Emmylou Harris and Willie Nelson are among the artists who have covered his acerbic, soul-stirring songs.
Hiatt began his professional songwriting career at age 18, when he moved to Nashville to work at Tree Publishing. Over the next two decades, his songs became hits for Rosanne Cash (“The Way We Make a Broken Heart”), the Desert Rose Band (“She Don’t Love Nobody”) and Three Dog Night (“”Sure as I’m Sittin’ Here”). Hiatt found success as a recording artist with his landmark 1987 album, Bring the Family, which featured “Have a Little Faith in Me” and “Memphis in the Meantime,” among other enduring songs. In its wake, he went from earning cuts to being covered by some of music’s biggest names, including Bonnie Raitt (“Thing Called Love”) and B. B. King and Eric Clapton (“Riding with the King”).
Following a stint in Los Angeles, Hiatt returned to Nashville in the mid-1980s and has continued to write, perform and record. He has released more than two dozen albums, most recently 2021’s Leftover Feelings, a highly regarded collaboration with the Jerry Douglas Band, recorded at historic RCA Studio B. In 2008, Hiatt was inducted into the Nashville Songwriters Hall of Fame and received a lifetime achievement award for songwriting from the Americana Music Association. In 2019, he became the third recipient of the BMI Troubadour Award, which recognized his work as a songwriter.
