Snarky Puppy
After a decade of relentless touring and recording in all but complete obscurity, the Texas-bred/New York-based quasi-collective suddenly found itself held up by the press and public as one of the major figures in the jazz world. But as the category names for all three of the band’s Grammy® awards would indicate (Best R&B Performance in 2014, Best Contemporary Instrumental Album in 2016 and 2017), Snarky Puppy isn’t exactly a jazz band. It’s not a fusion band, and it’s definitely not a jam band. It’s probably best to take Nate Chinen of the New York Times’ advice, as stated in an online discussion about the group, to “take them for what they are, rather than judge them for what they’re not.” (website)
Snarky Puppy joins another Roaming the Arts favorite Mingo Fishtrap as a band formed out of the wonderful music program at the University of North Texas.
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Peter Wolf
A Cure for Loneliness manifests the same vibrant passion for music that’s motivated Peter Wolf for most of his life. Growing up in an artistic, politically engaged family in the Bronx, he became an early rock ‘n’ roll convert after attending an Alan Freed rock ‘n’ roll revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, Little Richard and Frankie Lymon. His thirst for new and old sounds drove him to exploring blues, soul, country, folk and jazz, inspiring weekly visits to Harlem’s Apollo Theatre and leading to acquaintances with many of the music’s surviving originators.
Wolf’s talent as a painter won him a grant to study at the Boston Museum School of Fine Arts. While a student there, he experienced a life-changing epiphany after jumping on stage to sing with a blues band at a loft party. He soon talked himself into membership in that band, The Hallucinations.
“I didn’t join a band to meet girls,” Wolf recalls. “I joined my first band to meet musicians. Painting was a fascination for me, but I was a music fanatic, and sitting in with that band was a born-again type of experience for me. I was transfixed, and myself and some of the guys in the band would check out performances by the musicians we admired so much, like Muddy Waters and John Lee Hooker and John Coltrane and Bill Monroe and the Stanley Brothers. Those roots stayed with me.”
Wolf’s natural loquaciousness won him a job as an all-night DJ on the fledgling FM rock station WBCN. Adopting the persona of “the Woofa Goofa,” he spun raw rock ‘n’ roll and rhythm ‘n’ blues, channeling the spirit of the flashy, fast-talking DJs he’d grown up listening to.
Wolf’s encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection. The band soon became a local favorite injecting a much-needed jolt of raw, uninhibited rock ‘n’ roll into the ’70s scene and was soon signed by Jerry Wexler for Atlantic Records. Between 1970 and 1983, the J. Geils Band released 13 influential albums, topped the pop single charts with 1981’s “Freeze Frame,” “Love Stinks,” “Centerfold,” and earned a reputation as one of rock’s most exciting live acts, thanks in large part to Wolf’s flamboyant, hyperactive stage presence.
After going solo with 1984’s Lights Out, Wolf continued to stake out new musical territory with the subsequent releases Lights Out, Come As You Are, Up to No Good, Long Line, Fool’s Parade, Sleepless and Midnight Souvenirs, and A Cure For Loneliness. His solo work has seen him collaborate with the likes of Aretha Franklin, Merle Haggard, John Lee Hooker, Mick Jagger, Keith Richards, Little Milton, Wilson Pickett, Shelby Lynne and Neko Case. Wolf temporarily reunited with his J. Geils Band cohorts for live shows on several occasions between 1999 and 2015, but his solo career has remained his creative focus, as A Cure for Loneliness makes clear.
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Samantha Fish
Samantha Fish
A blues musician from Kansas City, Missouri, Samantha Fish impressed industry professionals as a teenager before scoring her first Billboard blues number one in her mid-twenties. Fish grew up in a musical family with a variety of genres, including a steady diet of classic rock radio. Her father played guitar and would sometimes jam with friends at home. Young Samantha started out as a drummer but switched to guitar at the age of 15. As a teen, she would sneak into local blues landmark the Knuckleheads Saloon to hear touring musicians, and she began sitting in with them from time to time after she became legal at 18.
In 2009, Fish recorded the live album Live Bait as the Samantha Fish Blues Band, and the rock-edged guitar work brought her to the attention of Ruf Records. The label featured her alongside Cassie Taylor and Dani Wilde on the 2011 release Girls with Guitars, which featured covers of the Rolling Stones and the Steve Miller Band as well as original material from the three guitarist/singer/songwriters. Later that same year, Fish released her solo debut, Runaway, also with Ruf Records. It was produced by mentor and frequent collaborator Mike Zito.
She saw her first chart success with her sophomore LP, Black Wind Howlin’, also produced by Zito. It hit the Billboard Heatseekers chart and reached the Top Ten of the blues albums chart upon release in 2013. She followed it with Wild at Heart in 2015, which became a blues number one. In 2017, she returned with her fourth studio album, Chills & Fever. Recorded in Detroit with members of the Detroit Cobras it featured covers of obscure pop and soul tunes.
Also in 2017, Fish issued Belle of the West, recorded in Missouri with Luther Dickinson and featuring musical contributions by guitarist/harmonica player Lightnin’ Malcolm, former-Squirrel Nut Zipper Jimbo Mathus, violinist Lillie Mae Rische, and others. The album helped the guitarist pick up a 2018 Blues Music Association award for Contemporary Female Artist of the Year. Fish‘s seventh studio album, Kill or Be Kind, arrived in 2019 and found her working with producer Scott Billington in Memphis.
Artist Biography by Marcy Donelson
(For all “red links” above, please use back button to return here – see AllMusic.com to browse their site)
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Jason Wilber
Jason Wilber
Jason Wilber is an American singer, guitar player, songwriter, and recording artist. In addition to his work as a solo recording artist, he is also known as the long time lead guitar player for singer-songwriter John Prine. Other artists Jason has accompanied live or in the studio include Iris Dement, Greg Brown, Tom Russell, Sheryl Crow, Mary Gauthier, Todd Snider, Simrit, Hal Ketchum, Tim Grimm, Krista Detor, Greg Trooper, Carrie Newcomer, Kim Fox, Bill Wilson, and Over the Rhine.
Jason Wilber’s solo albums include Lost In Your Hometown (1998), Behind the Midway (2000), King For A Day (2004), Lazy Afternoon (2006), Live and Otherwise Volume 1 (2006), Ghost of Summers Past (2009), Live and Otherwise Volume 2 (2009), Secret Window (2014), Echoes (2016) and Reaction Time (2017).
Jason Wilber’s work with John Prine includes the Grammy Award winning CD Fair & Square, and the Grammy nominated CDs Live On Tour and In Spite of Ourselves (which spent 32 weeks on the Billboard Country Charts). In addition to playing guitar on John Prine’s 2017 album For Better or Worse, Jason also served as a Co-Executive Producer. Jason has accompanied John Prine on duet recordings with Iris Dement, Allison Krauss, Susan Tedeschi, Emmylou Harris, Miranda Lambert, Kathy Mattea, Amanda Shires, Fiona Prine, Lucinda Williams, Josh Ritter, Patty Loveless, Lee Ann Womack, Connie Smith, Melba Montgomery, Morgane Stapleton, Kacey Musgraves, and Sara Watkins.
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