I’m With Her – three talents, indivdually and collectively…
I’m With Her is a band rooted in a rare alchemy: three celebrated songwriters coming together to create music that reveals entirely new possibilities in their distinct and deep-seated talents. Since forming in 2014, Sara Watkins, Sarah Jarosz, and Aoife O’Donovan ,(also of Crooked Still) have imbued their songs with a sharply detailed lyricism, graceful musicianship, and—perhaps most powerfully—mesmerizing harmonies that endlessly reflect their extraordinary chemistry.
Check out their performance: NPR Tiny Desk Concert
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(Big) Al Anderson
Al Anderson
Listed as one of the top 100 guitar players of the 20th century by Musician Magazine and with over 900 cuts internationally, Big Al’s music career was destined. Raised by his piano teacher mother and a radio that would get WWVA in Wheeling West Virginia late at night, he would devour all genres of music from Hank Williams, The Everly Brothers, The Ventures, Chet Atkins, Elvis, Little Richard, Ray Charles, Motown and Stax paving the way for what would be a giant life in music.
NRBQ years
His first band “The Sixpacks” became “The Wildweeds,” recording a regional hit “No Good To Cry” that went on to chart nationally. With a change in record labels (from Chess to Vanguard) and a change in musical direction, Al caught the attention of the members of NRBQ. In 1971, Al left Connecticut for New York’s to enroll at the “University of Q” — a 22 year planetary course in all things musical. Al’s exposure to a evener wider range of musical genres served him well in the “Q.” His mind and string-bending guitar playing coupled with his giant stage presence had become legendary, and in the course of recording over a dozen albums with them, he had written some of the band’s most memorable songs — ‘Ridin in My Car’, ‘Never Take The Place of You,’ It Was An Accident,’ ‘Comes to Me Naturally,’ ‘What a Nice Way to Go,’ ‘Feel You around Me,’ and many more.
After over two decades of hard touring, hard living and encyclopedic musical knowledge, Al was ready to change his already prodigious song writing talent into a full-time venture.
Two years before he left NRBQ, he wrote a song with Carlene Carter, “Every Little Thing” that she took to top 5 all over the world. That song, and meeting music publisher Pat Daniel McMurry (Escott), were the turning points in Al’s career and life. With the support, guidance and belief that Pat provided, Al became unstoppable. At the same time that Al signed with Pat, he decided to quit drinking and suddenly became one of the most prolific writers in Nashville. “I went from 3 songs a year to writing sometimes 3 a day”.
The parade of hits is long and include singles and cuts by Vince Gill, Bonnie Raitt, Trisha Yearwood, Jimmy Buffett, Martina McBride, Patty Loveless, George Jones, Sheryl Crow, Leann Rimes, Tim McGraw, George Strait, Rascall Flatts, Zac Brown, Anthony Hamilton, Harry Connick Jr and many others.
He latest love is Music City’s premier rock band “The World Famous Headliners” rounded out with top tier penmen/artists/musicians extraordinaire Pat McLaughlin, Shawn Camp, Michael Rhodes and Greg Morrow
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Alejandro Escovedo
“Simply one of the finest singer-songwriters of his generation, Alejandro Escovedo’s critical cachet has always outstripped his name recognition and commercial impact.” — Slant
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Allen Toussaint
in memorium
Artist Biography by Steve Huey
Producer, songwriter, arranger, session pianist, solo artist — Allen Toussaint wore all these hats over the course of his lengthy and prolific career, and his behind-the-scenes work alone would have been enough to make him a legend of New Orleans R&B. Thanks to his work with numerous other artists, Toussaintbore an enormous amount of responsibility for the sound of R&B in the Crescent City from the ’60s on into the ’70s. His productions kept with the times, moving from rollicking, earthy soul in the ’60s to gritty, rambunctious funk in the ’70s. As a composer, Toussaint proved himself a consistent hitmaker, penning more than a few gems that have since become R&B standards and been covered by countless artists working in many different styles. In keeping with that across-the-board appeal, Toussaint worked in some supporting capacity for a wide variety of rock and blues legends, particularly from the ’70s on. On top of all that, Toussaint waxed his own records from time to time, enjoying a creative peak in the ’70s with several albums that highlighted his laid-back vocals and elegantly funky piano work. Even if he wasn’t always the most visible figure, Toussaint‘s contributions to New Orleans music — and to rock & roll in general — were such that he earned induction into the Rock and Roll Hall of Fame in 1998.
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hey Brother feature Mary Fahl