Jonathan Allen Lethem is an American novelist, essayist, and short story writer. His first novel, Gun, with Occasional Music, a genre work that mixed elements of science fiction and detective fiction, was published in 1994. Wikipedia
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By admin — 6 days ago
Location: (Thorn series) Florida Keys
James W. Hall is the author of 20 novels, the latest of which is When They Come For You (2017, Thomas and Mercer).
Fourteen of the novels feature a hardcore loner named Thorn, who makes a meager living tying bonefish flies. Thorn, and his private eye pal, Sugarman, have teamed up to thwart animal smugglers, cruise ship hijackers, rogue medical experimenters, and other assorted villains. For a man who simply wants to be left alone to contemplate the island light and sweet sea breezes of Key Largo, Thorn has been drawn into a long string of adventures to right wrongs and avenge the deaths of his friends, relatives and lovers and has taken innumerable gashes and wounds and scars in the process.
Hall’s non-fiction work includes Hot Damn! a collection of personal essays he wrote for the Ft. Lauderdale Sun-Sentinel’s Sunshine Magazine, as well as some he wrote for the Washington Post and The Miami Herald.
His second non-fiction effort is Hit Lit (Random House) an analysis of twelve of the most commercially successful novels of the last century and the dozen features those books have in common.Post Views: 6
By admin — 3 weeks ago
Of all the blows delivered by Don Winslow’s Cartel trilogy, none may be as devastating as the timing of “The Border,” its stunner of a conclusion. Though Winslow cannot have engineered all of this 14 years ago when he started this series, his sweeping new novel concerns subjects that put it right on the culture’s front burner: the Mexican-American border, the handling of migrant children, the opioid crisis and some barely fictionalized claims about how foreign money has bought influence at the highest level of the U.S. government.
The book’s title, “The Border,” refers to both physical and moral barriers. Winslow is well aware that both that and its cover image, which depicts a razor-wire-topped wall spreading across a desert landscape, are politically loaded. “Loaded phrases, like loaded guns, are more interesting, aren’t they?” Winslow said to Entertainment Weekly in September. As for the book’s depiction of fiercely partisan American politics, including its treatment of characters who are unmistakable versions of the current president and his son-in-law: “I know this book is going to make some people angry. I can live with that.”
Even though the first installment of this trilogy was named “The Power of the Dog,” after a biblical intimation of evil (“Deliver my soul from the sword; my love from the power of the dog,” Psalms 22:20), it only hinted at the magnitude and ferocity of what was to come. That opening novel now looks like the series’ relatively innocent prologue — and it is as blade-sharp, violent, pulse-quickening and reportorially shocking as the pinnacle of some lesser series might be.
“The Power of the Dog” is, in brief, about the first decades that bind the destinies of Art Keller, a Vietnam veteran and later D.E.A. agent, and Adán Barrera, a young Mexican who will go on to achieve the most dizzying heights of power. The book begins in a burning Mexican poppy field in 1975 (“Only in hell, Art Keller thinks, do flowers bloom fire”) and leaves Keller among more poppies in 2004. Many unspeakable acts happen in between, melding the personal with the political (Iran-contra). It is all rendered unputdownable by Winslow’s unrivaled skill at his game.Post Views: 42